INDIGO_graffiti_thesaurus_v1.json

[
    {
      "Unique identifier": "3dGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "3D (graffiti)",
      "skos:broader": "letterformComponents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "3D $$ three-dimensional (graffiti) $$ three dimensional (graffiti) $$ 3d",
      "skos:editorialNote @en": "\"3D (graffiti)\" refers to a style of graffiti that employs techniques such as shading, highlights, and perspective to give the illusion of three-dimensionality to the text, characters, or abstract motifs in a graffito. This style is designed to make the graffiti appear as if it is popping out from the surface, adding depth and a sense of realism to the work. The use of 3D techniques in graffiti showcases the technical skill and creativity of the graffitist, and contributes to the visual impact and aesthetic appeal of the work. As with all styles of graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q34929",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": "blocksGraffiti"
    },
    {
      "Unique identifier": "abstractStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "abstract style (graffiti)",
      "skos:broader": "stylesStreetArt",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "abstract $$ Abstract style $$ Abstract Style $$ abstract (style) $$ abstract (graffiti)",
      "skos:editorialNote @en": "\"Abstract Style (graffiti)\" refers to a style of graffiti that, while possibly inspired by the abstract art movement, is distinct and unique in its own right. This style is characterised by the use of non-representational or non-objective elements, focusing on the visual qualities such as colours, shapes, and lines rather than attempting to depict a recognisable reality. The abstract style in graffiti allows for a high degree of creative freedom and experimentation, and can be used to create visually striking and thought-provoking works. As with all styles of graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300108127\r\n",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q333357",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "accidentalSurfaceCoveringProcessesGT",
      "Type": "guide term",
      "skos:prefLabel @en": "accidental surface covering processes <guide term>",
      "skos:broader": "additiveAndJoiningProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "This is one of the few guide terms, that is specifically created for project INDIGO/ the graffiti thesaurus and therefore can not be found in the Getty AAT.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "ActivitiesF",
      "Type": "facet",
      "skos:prefLabel @en": "Activities <facet>",
      "skos:broader": "",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Includes terms for areas of endeavor, physical and mental actions, discrete occurrences, systematic sequences of actions, methods employed toward a certain end, and processes occurring in materials or objects classified as visual works. Activities may range from branches of learning and professional fields to specific life events, from mentally executed tasks to processes performed on or with materials and objects, from single physical actions to complex games. Examples: archaeology, engineering, analyzing, contests, exhibitions, running, drawing (image-making), corrosion.\" (The J. Paul Getty Trust. ‘Activities Facet’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264090",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Activities Facet’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023]. http://vocab.getty.edu/aat/300264090.",
      "skos:related": ""
    },
    {
      "Unique identifier": "activity",
      "Type": "collection",
      "skos:prefLabel @en": "activity",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"activity\" collection forms a cornerstone of the graffiti thesaurus, serving as a foundational category that encapsulates the diverse actions and processes integral to graffiti creation and appreciation. As a top-level concept, it stands independently, not falling under any broader category. The term \"activity\", within the graffiti context, is a broad umbrella under which specific actions contributing to the creation, distribution, or appreciation of graffiti reside. This includes techniques such as \"bombing\", \"scratching\", or \"spraying\". Each of these can be considered as a narrower concept, further refining the understanding of what constitutes an \"activity\" in the world of graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "Examples of the \"activity\" collection bring to life the various processes involved in graffiti creation. \"Bombing\" represents a swift, expansive approach, where a graffitist covers a large area with quick, often simple, graffiti. \"Scratching\" provides a contrast, with the graffitist etching a design into a surface using a sharp object, creating a different kind of visual impact. Lastly, \"spraying\" exemplifies a common graffiti technique, where aerosol paint cans are used to apply paint in a controlled manner, crafting the graffito on the chosen surface.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "additiveAndJoiningProcessesAndTechniquesGT",
      "Type": "guide term",
      "skos:prefLabel @en": "additive and joining processes and techniques <guide term>",
      "skos:broader": "processesAndTechniquesBySpecificTypeGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300229467",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "AgentsF",
      "Type": "facet",
      "skos:prefLabel @en": "Agents <facet>",
      "skos:broader": "",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"This facet includes generic terms, dates, relationships, and other information related to or required to catalog, discover, and retrieve information about art, architecture, and other visual cultural heritage, including related disciplines dealing with visual works, such as archaeology and conservation, where the works are of the type collected by art museums and repositories for visual cultural heritage, or that are architecture. Used for work types, roles, materials, styles, cultures, techniques, subject, etc., so long as terms fit into established AAT facets. Examples: printmakers, landscape architects, corporations, religious orders. Also includes other living organisms, as necessary for the art and architecture domain.\" (The J. Paul Getty Trust. ‘Agents Facet’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264089",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Agents Facet’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264089.",
      "skos:related": ""
    },
    {
      "Unique identifier": "anarchySymbols",
      "Type": "concept",
      "skos:prefLabel @en": "anarchy symbols",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "signAndElement",
      "skos:altLabel @en": "Anarchy sign $$ anarchy symbol $$ symbol, anarchy $$ anarchy sign $$ sign, anarchy",
      "skos:editorialNote @en": "The \"anarchy symbols\" in graffiti represent a motif that can be created as an independent symbol or connected to a slogan or word. These symbols are often used to express anti-establishment sentiments or to challenge societal norms and structures. They are a part of the visual language of graffiti, conveying specific meanings and messages within the context of the graffiti culture. As with all motifs in graffiti, the interpretation of anarchy symbols can vary depending on the context in which they are used.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q31895",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "antiStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "anti style (graffiti)",
      "skos:broader": "stylesStreetArt",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "Anti style $$ Anti Style $$ Ugly Style $$ ugly style $$ Ugly style $$ anti-style",
      "skos:editorialNote @en": "The \"anti style (graffiti)\" refers to a specific form of graffiti writing style that intentionally defies the conventional aesthetics and norms of graffiti. This style is often characterised by its raw, unpolished, and seemingly amateurish appearance, which is a deliberate choice by the graffitist. The anti style can be seen as a form of rebellion not only against societal norms but also against the established rules and standards within the graffiti community itself. It serves as a reminder that graffiti is, at its core, an act of defiance and individual expression.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "arrowsLetterAttribute",
      "Type": "concept",
      "skos:prefLabel @en": "arrows (letter attribute)",
      "skos:broader": "letterformComponents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "arrow (letter attribute)",
      "skos:editorialNote @en": "The concept \"arrows (letter attribute)\" in graffiti refers to the stylistic element where the endings of a letter are shaped as arrows. This is a common feature in many graffiti styles and serves to add dynamism and directionality to the piece. Arrows can be simple or complex, and their design can vary greatly depending on the individual style of the graffitist. They can be used to guide the viewer's eye, create a sense of movement, or add an additional layer of complexity to the piece.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "arrowsMotif",
      "Type": "concept",
      "skos:prefLabel @en": "arrows (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "arrow (motif) $$ arrows $$ arrow",
      "skos:editorialNote @en": "The concept \"arrows (motif)\" in graffiti refers to the standalone depiction of arrows, not associated with a letter or a bow. Arrows as motifs can serve various purposes in a graffito. They can be used to direct attention, create a sense of movement, or simply as a decorative element. The design of the arrow can vary greatly, from simple straight lines to more complex and stylised representations. It's important to note that the interpretation of this motif can be subjective and may differ based on the context and the individual style of the graffitist.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1139519",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "AssociatedConceptsF",
      "Type": "facet",
      "skos:prefLabel @en": "Associated Concepts <facet>",
      "skos:broader": "",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Includes terms for all abstract concepts and phenomena that relate to the study and execution of various areas of human thought and activity, including architecture and art in all media, as well as related disciplines. Also covered here are theoretical and critical concerns, ideologies, attitudes, and social or cultural movements, to the extent necessary to catalog or discover information about visual works. Examples: beauty, balance, connoisseurship, metaphor, beauty, balance, connoisseurship, metaphor, cultural pluralism.\" (The J. Paul Getty Trust. ‘Associated Concepts Facet’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264086",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Associated Concepts Facet’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264086.",
      "skos:related": ""
    },
    {
      "Unique identifier": "AssociatedConceptsHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Associated Concepts <hierarchy name>",
      "skos:broader": "AssociatedConceptsF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Associated Concepts hierarchy contains terms for concepts and phenomena relating to a wide range of topics, including topics not directly related to art, for example philosophical concepts. Relation to other hierarchies: Terms for branches of learning and areas of specialization, as well as professions and professional specialties, (e.g., \"history\") are found in the Disciplines hierarchy, while concepts associated with these disciplines (e.g., \"positivism \") appear here. Terms for styles and for art and architecture movements (e.g., \"Neoclassical;\" \"Impressionist\") are found in the Styles and Periods hierarchy, while forms of expression (e.g., \"abstraction\") and broad categories of art and architecture that are not specific to a given people or period (e.g., \"organic architecture;\" \"street art\") are here.\" (The J. Paul Getty Trust. ‘Associated Concepts (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300055126",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Associated Concepts (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300055126.",
      "skos:related": ""
    },
    {
      "Unique identifier": "atSignsMotif",
      "Type": "concept",
      "skos:prefLabel @en": "@ signs (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "signAndElement",
      "skos:altLabel @en": "at-sign $$ at $$ @ $$ at-signs $$ @ sign $$ @-signs $$ @-sign",
      "skos:editorialNote @en": "The \"@ sign (motif)\" in graffiti can serve multiple purposes. It can appear as an individual symbol, a decorative element, or most commonly, in conjunction with a social media handle. This motif is a reflection of the digital age and the increasing interplay between online and offline forms of expression. It signifies the graffitist's presence not only in the physical world but also in the digital sphere, serving as a bridge between their graffiti work and their online identity. As with all motifs in graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q10714",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "attributesAndPropertiesBySpecificTypeGT",
      "Type": "guide term",
      "skos:prefLabel @en": "attributes and properties by specific type <guide term> ",
      "skos:broader": "AssociatedConceptsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300226808",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "backgroundsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "backgrounds (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "background (graffiti)",
      "skos:editorialNote @en": "The concept of \"backgrounds (graffiti)\" refers to the elements that are situated behind the primary subject of a graffiti work. These elements can include patterns, decorative elements, or motifs that serve to enhance or complement the main focus of the graffiti. Backgrounds in graffiti are not about the priming of the area that will be covered by the creation of a graffito but rather focus on the elements that are in the background of the graffito. They provide a context and aesthetic framework that can influence the overall perception and interpretation of the graffiti. It's important to note that these backgrounds are not merely passive or incidental; they are often carefully considered and executed to contribute to the overall impact of the graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "battlesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "battles (graffiti)",
      "skos:broader": "publicAndInteractiveActivitiesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "battles $$ battle $$ battle (graffiti) $$ graffiti battles $$ graffiti battle",
      "skos:editorialNote @en": "In the graffiti community, \"battles\" refer to competitive events where graffitists challenge each other to showcase their skills. These battles can take various forms, but typically involve two or more graffitists creating a graffiti piece within a set time frame, often in front of an audience. The pieces are then judged based on criteria such as creativity, technique, style, and originality. Graffiti battles provide a platform for graffitists to gain recognition, demonstrate their abilities, and engage with the wider graffiti community. They are a testament to the competitive nature inherent in graffiti culture, reflecting the drive of graffitists to outdo each other in terms of skill and creativity.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q105826326",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "bitingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "bitings (graffiti)",
      "skos:broader": "publicAndInteractiveActivitiesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "biting (graffiti) $$ bitings $$ biting",
      "skos:editorialNote @en": "The concept of \"bitings\" in the graffiti community refers to the frowned-upon activity of copying the style and graffiti of another graffitist and then taking credit for it. This is considered disrespectful and against the unwritten rules of the graffiti community. While beginners can learn by copying techniques and styles from other graffitists, it is expected that they will eventually develop and create their own unique style. The term \"biting\" is derived from the slang term \"to bite\", meaning to steal or copy from someone else. It is important to note that the concept of \"bitings\" is subjective and can be interpreted differently depending on the context and the individuals involved.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300053257 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "blackBooksGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "black books (graffiti)",
      "skos:broader": "sketchbooks",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "blackbooks $$ blackbook $$ black book $$ book, black $$ books, black $$ black book (graffiti)",
      "skos:editorialNote @en": "\"Black books\" in graffiti culture serve as a personal archive for graffitists, where they can practice their designs, document their progress, and collect tags and sketches from other graffitists. These books often contain sketches, designs, and tags, and in the past, they also included printed pictures. The black book can be seen as a friendship book, a testament to the connections and interactions within the graffiti community. It is also akin to a graffitist's sketchbook, reflecting the development of the graffitist's skills and ideas over time. In the graffiti community, the black book holds significant value as it not only showcases a graffitist's work but also their influences, collaborations, and evolution. It is a tangible manifestation of the graffitist's journey in the graffiti world.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Sketchbooks in which graffiti artists develop ideas, practice tags, and acquire other artists' signatures.\" (The J. Paul Getty Trust. ‘Black Books (Graffiti)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300379259 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Black Books (Graffiti)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300379259.",
      "skos:related": ""
    },
    {
      "Unique identifier": "blockbusterStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "blockbuster style (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, blockbuster $$ blockbuster style $$ Blockbuster style $$ Blockbuster Style",
      "skos:editorialNote @en": "The \"blockbuster style\" is a distinctive form of graffiti writing that originated on the East Coast of the United States. Characterised by its large, square-like block letters, this style is not only one of the older graffiti writing styles but also continues to be practised in the present day. The blockbuster style is often used to cover large areas, such as entire walls or sides of buildings, making it highly visible in the urban landscape. This visibility, combined with the style's bold and straightforward lettering, makes it an effective tool for graffitists seeking to make a significant impact and establish their presence in a particular area. Despite its apparent simplicity, the blockbuster style requires a certain level of skill and control to execute effectively, particularly when covering large surfaces. The ability to maintain consistency in letter shape and size across a large scale is a testament to a graffitist's proficiency.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "blocksGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "blocks (graffiti)",
      "skos:broader": "letterformComponents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "block (graffiti) $$ block $$ blocks",
      "skos:editorialNote @en": "The concept \"blocks (graffiti)\" pertains to a specific style of graffiti writing, often associated with the \"blockbuster style\". This style is characterized by the use of large, block-like letters, typically filled in with a single, solid colour. The block style is designed for maximum visibility and readability, often used to cover large areas or to overwrite other graffitists' works. The simplicity and boldness of the block style make it a popular choice for large-scale graffiti pieces, particularly in urban environments where visibility is key. It's important to note that while the block style is a distinctive aspect of graffiti culture, it should not be interpreted within the framework of traditional art forms. Instead, it should be understood as a unique form of expression within the graffiti community.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300211042",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": "3dGraffiti"
    },
    {
      "Unique identifier": "bombingGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "bombing (graffiti)",
      "skos:broader": "publicAndInteractiveActivitiesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm $$ activity",
      "skos:altLabel @en": "bombing $$ bombing (activity)",
      "skos:editorialNote @en": "\"Bombing\" in the graffiti community refers to the act of creating multiple graffiti, especially tags or throw-ups, in a single session. This activity is often used by graffiti artists as a way to gain recognition and fame, also known as \"getting up\", by covering large areas of a city with their unique handstyle. The term \"bombing\" comes from the metaphorical comparison of the widespread and rapid spread of graffiti to the extensive damage caused by bombs. The graffiti created during bombing are often less complex and more quickly executed than traditional pieces, allowing the artist to cover more area in a shorter amount of time.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"In the context of graffiti, bombing denotes prolific and repeated renderings of a single 'tag' in a given physical area in order to attract recognition.\" (The J. Paul Getty Trust. ‘Bombing (Graffiti)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410273",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Bombing (Graffiti)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410273.",
      "skos:related": ""
    },
    {
      "Unique identifier": "bubblesMotif",
      "Type": "concept",
      "skos:prefLabel @en": "bubbles (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "bubble (motif) $$ bubble $$ bubbles",
      "skos:editorialNote @en": "In the context of graffiti, \"bubbles\" as a motif can be used in various ways. They can be a standalone symbol or sign, or they can be incorporated into the background or the filling of a letter as a pattern. The use of bubbles can add a playful or whimsical element to a graffiti piece, and their round, soft shapes can provide a contrast to the often angular and hard-edged forms of graffiti letters. The use of bubbles can also contribute to the overall visual impact and aesthetic appeal of a graffiti piece.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300443508",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q75794",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": "cloudsMotifs"
    },
    {
      "Unique identifier": "bubbleStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "bubble style (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, bubble $$ Bubble Style $$ Bubble style",
      "skos:editorialNote @en": "The \"Bubble Style\" in graffiti is one of the earliest graffiti writing styles. It is characterized by its simplicity and legibility, making it easy for both the graffitist and the observer to read. The letters in this style are often rounded and inflated, resembling bubbles, hence the name. This style is also quick to execute, making it ideal for \"bombing\" or creating multiple graffiti in one session. This style originated from the East Coast of the United States and has since become a staple in the graffiti community.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "buffingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "buffings (graffiti)",
      "skos:broader": "publicAndInteractiveActivitiesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "buffing $$ buffings $$ buffing (graffiti)",
      "skos:editorialNote @en": "\"Buffings\" in the context of graffiti refers to the activity of covering or removing existing graffiti, often to create a clean slate for new work. This can be seen as a respectful act when done by another graffitist preparing to create their own work, or as a playful act when graffitists creatively respond to the actions of those tasked with graffiti removal. However, it can also be seen negatively when it is done by authorities or companies as a form of censorship or control. The concept of buffings is complex and multifaceted, reflecting the dynamic and often contentious nature of graffiti culture.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "BuiltEnvironmentHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Built Environment <hierarchy name>",
      "skos:broader": "ObjectsF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Built Environment hierarchy includes terms for the built and natural environment, covering constructed works and natural landscapes, forming a continuum from the largest natural landscapes and settled areas to the smallest of individual built works. Relation to other hierarchies: The constituent parts of constructed works, such as doors and walls, that extend the continuum at even smaller scale, are found in the Components hierarchy. Concepts may have multiple parents, therefore, in those instances where a concept may logically appear at more than one level of the continuum (e.g., \"chapels (rooms or structures)\" which may be either single built works or components of a work), it is placed with a preferred parent in the hierarchy containing the smaller scale elements unless factors of common usage, design intent, or historical precedence dictate otherwise, it has a second, non-preferred parent in the other logical hierarchical view (e.g., for \"chapels;\" with Single Built Works).\" (The J. Paul Getty Trust. ‘Built Environment (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264550",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Built Environment (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264550.",
      "skos:related": ""
    },
    {
      "Unique identifier": "burnersGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "burners (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "burner (graffiti) $$ burners $$ burner",
      "skos:editorialNote @en": "The term \"burners\" in the context of graffiti refers to works that are particularly impressive or elaborate, often considered as masterpieces within the graffiti community. The designation of a graffiti piece as a \"burner\" is subjective and largely depends on the perception of the audience or the graffiti community. It's a form of recognition and appreciation for the graffitist's skill and creativity. The term originates from the idea that the piece is so hot, it's \"burning\" off the wall. However, it's important to note that the term \"burner\" is not universally defined and can vary in meaning across different graffiti communities and regions.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Graffiti pieces that are regarded as being of exceptional quality, as judged by other graffiti artists. To 'burn' is to outdo the work of others.\" (The J. Paul Getty Trust. ‘Burners (Graffiti Art)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410278 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Burners (Graffiti Art)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410278.",
      "skos:related": ""
    },
    {
      "Unique identifier": "calligraffitiStyle",
      "Type": "concept",
      "skos:prefLabel @en": "calligraffiti (style)",
      "skos:broader": "stylesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "calligraffito (style) $$ calligraffiti $$ calligraffito",
      "skos:editorialNote @en": "\"Calligraffiti\" is a unique fusion of calligraphy, typography, and graffiti, which can be categorized as either abstract expressionism or abstract vandalism. This art form integrates letters into compositions that aim to communicate a broader message through aesthetically altered writing, transcending its literal meaning. It is a conscious effort to transform a word or group of words into a visual composition, providing both an aesthetic experience and provocative art.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "The term \"calligraffiti\" has been used in various contexts, but it gained prominence when Dutch artist Niels Shoe Meulman used it as the title of his solo exhibition in 2007. He described calligraffiti as \"traditional handwriting with a metropolitan attitude,\" a way of translating the art of the street to the interior of museums, galleries, and apartments. However, the use of the term predates Meulman's contributions by at least thirty years. It was used by Canadian painter Brion Gysin in his final exhibition, \"Calligraffiti of Fire,\" in 1986, and in a book about post-modernism by H.L. Hix in 1995. Jordanian artist and art historian Wijdan Ali also used the term in her book, \"Modern Islamic Art: Development and Continuity,\" (1997) to describe a style of art that had been flourishing across the Middle East and North Africa from the mid-20th century.",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q22669850",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "charactagGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "charactags (graffiti)",
      "skos:broader": "charactersWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "charactag (graffiti) $$ charactags $$ charactag",
      "skos:editorialNote @en": "The term \"charactags\" in the context of graffiti refers to a unique form of signature employed by graffitists. Unlike traditional tags, which are typically text-based and often feature the graffitist's chosen name or moniker, charactags incorporate a character or symbol that is consistently used by the graffitist across their works. These characters, which can range from simple symbols to more complex and stylised designs, are typically created using a marker and are repeated throughout the urban landscape, much like a traditional tag. The consistent use of a specific character allows the graffitist to establish a recognisable identity within the graffiti community and the wider public. Charactags represent a fusion of visual artistry and identity-making, offering a creative alternative to text-based tags. They demonstrate the versatility of graffiti as a medium and the innovative ways in which graffitists seek to express their individuality and leave their mark on the urban environment.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": "tagsGraffiti"
    },
    {
      "Unique identifier": "charactersStreetArt",
      "Type": "concept",
      "skos:prefLabel @en": "characters (street art)",
      "skos:broader": "figureWorks",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "character (street art)",
      "skos:editorialNote @en": "The term \"characters\" within the context of street art refers to the figurative or symbolic elements that often form the central focus of a graffito. These characters can range from human figures to animals, mythical creatures, or even abstract forms. They are typically stylised and can be either realistic or fantastical in nature. Characters in street art serve various purposes. They can convey a narrative, express an emotion, or communicate a political or social message. They can also serve as a signature or identifier for the graffitist, much like a tag in graffiti writing. The creation of characters in street art requires a different set of skills compared to traditional graffiti writing. It often involves a more detailed and intricate process, requiring knowledge of drawing, shading, and colour theory.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "charactersWriting",
      "Type": "concept",
      "skos:prefLabel @en": "characters (writing)",
      "skos:broader": "figuresRepresentations",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "character (writing)",
      "skos:editorialNote @en": "The term \"characters\" within the context of graffiti writing refers to the figurative or symbolic elements that often accompany the main textual elements of a graffito. These characters can range from human figures to animals, mythical creatures, or even abstract forms. They are typically stylised and can be either realistic or fantastical in nature.\nIn graffiti writing, characters often serve as secondary elements, complementing the main textual components such as tags, throw-ups, or pieces. They can add visual interest, enhance the narrative, or provide additional context to the graffito. Characters in graffiti writing can also serve as a signature or identifier for the graffitist, adding an extra layer of personalisation to their work. However, they are typically less prominent and less frequent compared to characters in street art. The creation of characters in graffiti writing requires a blend of skills, combining the stylistic elements of graffiti lettering with the principles of drawing and illustration.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "cloudsMotifs",
      "Type": "concept",
      "skos:prefLabel @en": "clouds (motifs)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "cloud (motif)",
      "skos:editorialNote @en": "The term \"clouds\" within the context of graffiti refers to a recurring motif or pattern that can be incorporated into a graffito. This motif can be used in various ways, such as a decorative element, a background feature, or even as a part of the main design. Clouds in graffiti are typically stylised and can vary greatly in form and complexity, from simple, abstract shapes to more detailed and realistic representations. They can add visual interest, create a sense of depth or movement, or contribute to the overall narrative or theme of the graffito.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300343840 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q8074",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": "bubblesMotif"
    },
    {
      "Unique identifier": "commissionedWorksGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "commissioned works (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "commissioned work (graffiti)",
      "skos:editorialNote @en": "The term \"commissioned work\" within the context of graffiti refers to a graffito that has been legally created, often at the request of a specific individual, organisation, or entity. This type of work is typically sanctioned and permitted by the property owner or relevant authorities, and it may even be a paid project. Commissioned works in graffiti can range from small-scale pieces to large murals that cover entire walls or buildings. They often serve a specific purpose, such as beautifying a space, conveying a particular message, or contributing to a community project. While commissioned works are legal and often appreciated by the public, they can sometimes be seen as less authentic or controversial within the graffiti community. This is because the very nature of graffiti is often associated with rebellion, spontaneity, and the act of reclaiming public space without permission.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Orders, charges, projects, or activities requested and usually financed by one party and ordered or entrusted to an artist or other party to perform or execute, for example a commission may be made for a particular art work. For the process of assigning or granting a commission, use \"commissioning (function).\"\" (The J. Paul Getty Trust. ‘Commissions (Orders for Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300400904",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Commissions (Orders for Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300400904.",
      "skos:related": ""
    },
    {
      "Unique identifier": "communityTerm",
      "Type": "collection",
      "skos:prefLabel @en": "community term",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"community term\" collection is a key component of the graffiti thesaurus, representing the specific language and terminology used within the graffiti community. As a standalone collection, it does not fall under a broader category but rather serves as a parent category for a range of more specific concepts. The \"community term\" collection encapsulates the unique vernacular of the graffiti world, including terms that describe specific activities, roles, styles, and phenomena within the graffiti culture. These terms, such as \"battles\", \"bitings\", \"bombing\", \"buffings\", \"kings\", \"toys\", \"burners\", and \"handstyles\", each represent narrower concepts that further illuminate the rich tapestry of the graffiti community language.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"community term\" collection is exemplified by terms that are deeply embedded in the graffiti culture. \"Battles\" refer to competitions where graffitists showcase their skills. \"Bitings\" is a term used to describe the act of copying another graffitist's style. \"Bombing\" is a quick, expansive approach to creating graffiti over a large area. \"Buffings\" refer to the removal or painting over (crossing) of graffiti by authorities or property owners. \"Kings\" are respected and influential graffitists within the community. \"Toys\" is a term used to describe inexperienced or unskilled graffitists. \"Burners\" are complex, colourful pieces of graffiti art, often created in a mural style. Lastly, \"handstyles\" refer to a graffitist's unique, personalised script or tag.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "componentPart",
      "Type": "collection",
      "skos:prefLabel @en": "component part",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "graffitoComponent",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"component part\" collection is a sub-category within the \"graffito components\" collection of the graffiti thesaurus. It focuses on the physical parts or elements that make up a graffito. This collection includes more specific concepts such as \"backgrounds\", \"shadows\", \"fadings\", \"fill ins\", and \"outlines\". The \"component part\" collection provides a detailed look at the individual elements that come together to form a complete graffito, each contributing to the overall visual effect.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"component part\" collection is exemplified by its sub-concepts. \"Backgrounds\" refers to the area or surface on which the graffiti is created, which can be manipulated or altered to enhance the overall design. \"Shadows\" are used to give the graffiti depth and a three-dimensional effect. \"Fadings\" refers to a technique where the intensity of the colour gradually decreases, creating a fading effect. \"Fill ins\" are the parts of the graffiti that are filled in with colour, usually after the outlines have been drawn. \"Outlines\" are the lines that define the shape of the graffiti, often drawn first and then filled in. Each of these components plays a crucial role in the creation of a graffito, contributing to its overall aesthetic and impact.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "componentsBySpecificContextGT",
      "Type": "guide term",
      "skos:prefLabel @en": "components by specific context <guide term>",
      "skos:broader": "componentsObjectsParts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300241584",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "ComponentsHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Components <hierarchy name>",
      "skos:broader": "ObjectsF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\t\"The Components hierarchy contains terms for the constituent parts of objects, including structures, images, and texts. In those instances where a term refers to an element that may sometimes be a component and sometimes stand alone, it is placed with a preferred parent in the most suitable hierarchy. For example, \"chapels (rooms or structures);\" which are always rooms or spaces but may sometimes also be independent buildings, appears with a preferred parent in the <Christian religious building spaces> section of the Components hierarchy, and a non-preferred parent as Single Built Works. Relation to other hierarchies: Higher-level nodes for components are placed with a second parent under the record for the visual work, tool, etc. to which they pertain, this relationship is a partitive (whole/part) relationship, whereas all other relationships in the AAT are genus/species. For example \"aerophone components\" has a second parent as a Partitive Relationship (P) to \"aerophones.\" Terms for features that are not separable as actual components, such as ornamental patterns and physical effects (e.g., \"fluting;\" \"wrinkles\"), are in the Physical Attributes facet. Terms for items permanently installed into the fabric of the built environment (e.g. \"altars\") are Components, while movable articles used to furnish indoor or outdoor spaces are in the Furnishings hierarchy.\" (The J. Paul Getty Trust. ‘Components (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300241490",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Components (Hierarchy Name)’. Accessed 1 August 2023. http://vocab.getty.edu/aat/300241490.",
      "skos:related": ""
    },
    {
      "Unique identifier": "componentsObjectsParts",
      "Type": "concept",
      "skos:prefLabel @en": "components (objects parts)",
      "skos:broader": "ComponentsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Constituent parts of a larger object. A component differs from an item in that the item can stand alone as an independent work but the component typically cannot or does not stand alone. Examples are a panel of a polyptych or a discrete architectural component such as a dome.\" (The J. Paul Getty Trust. ‘Components (Objects Parts)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300241583",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Components (Objects Parts)’. Art & Architecture Thesaurus, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300241583.",
      "skos:related": ""
    },
    {
      "Unique identifier": "computerNetworkingConcepts",
      "Type": "concept",
      "skos:prefLabel @en": "computer networking concepts",
      "skos:broader": "informationTechnology",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Concepts related to telecommunications systems that allow computers to exchange data.\" (The J. Paul Getty Trust. ‘Computer Networking Concepts’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300266010",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Computer Networking Concepts’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300266010.",
      "skos:related": ""
    },
    {
      "Unique identifier": "conceptIdea",
      "Type": "collection",
      "skos:prefLabel @en": "concept idea",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "graffitoComponent",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"concept idea\" collection is a sub-category within the \"graffito components\" collection of the graffiti thesaurus. It focuses on the underlying themes, messages, or ideas that a graffito may convey. This collection includes more specific concepts such as \"crossing out\", \"commissioned works\", \"concept walls\", \"dedications\", and \"greetings\". The \"concept idea\" collection provides insight into the various motivations, intentions, and messages that can be expressed through graffiti, highlighting the communicative and expressive potential of this art form.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"concept idea\" collection is exemplified by its sub-concepts. \"Crossing out\" refers to the act of deliberately marking over another graffitist's work, often as a sign of disrespect or rivalry. \"Commissioned works\" are graffiti pieces that have been officially sanctioned or commissioned, often by businesses or local authorities. \"Concept walls\" are large-scale graffiti works that revolve around a specific theme or concept. \"Dedications\" are graffiti pieces created as a tribute to a specific person or event. \"Greetings\" are graffiti pieces that convey a greeting or message to a specific individual or the wider community. Each of these concepts represents a different idea or message that can be communicated through graffiti, demonstrating the diverse range of expressions possible within this art form.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "conceptsInTheArtsAndHumanitiesGT",
      "Type": "guide term",
      "skos:prefLabel @en": "concepts in the arts and humanities <guide term>",
      "skos:broader": "AssociatedConceptsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300056107",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "conceptWallsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "concept walls (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "concept wall (graffiti)",
      "skos:editorialNote @en": "The term \"concept walls\" within the context of graffiti refers to a wall or surface that has been used by a graffitist or a group of graffitists to execute a preconceived idea or theme. These walls often feature interconnected graffiti that collectively express a specific concept or narrative. Concept walls can be seen as visual storytelling, where each graffito contributes to the overall message or theme. The concept could be anything from a social or political commentary, a depiction of a particular event or person, or an abstract idea expressed through visual metaphors. Creating a concept wall requires planning and coordination, especially when multiple graffitists are involved. Each graffitist needs to understand the overall concept and how their individual work contributes to it. This collaborative process can result in a cohesive and impactful visual statement beyond individual graffito.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "connectionsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "connections (graffiti)",
      "skos:broader": "outlinesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "connection (graffiti)",
      "skos:editorialNote @en": "The term \"connections\" within the context of graffiti refers to the visual and conceptual links that are established between different elements within a graffito. These connections can take various forms and serve different purposes, depending on the intent of the graffitist and the nature of the graffito.\nVisually, connections can be created through the use of lines, shapes, colours, and patterns that link different parts of the graffito together. For example, a graffitist might use a consistent colour scheme or recurring motifs to create a sense of unity and cohesion within their work. Similarly, the letters in a piece of graffiti writing might be interconnected or overlapped in a way that creates a visual flow and rhythm.\nConceptually, connections can be established through the use of shared themes, symbols, or references. For instance, graffitist might incorporate elements from popular culture, political movements, or personal experiences into their work, creating connections that can be interpreted and understood by the viewer.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q230629",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "cracksMotif",
      "Type": "concept",
      "skos:prefLabel @en": "cracks (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "crack (motif)",
      "skos:editorialNote @en": "The term \"cracks\" within the context of graffiti refers to a specific motif or pattern that a graffitist may incorporate into their work. This motif, as the name suggests, mimics the appearance of cracks or fissures, and can be used in various ways to enhance the visual complexity and depth of a graffito. Cracks can be used as a background element, providing texture and visual interest to the surface on which the graffito is created. They can also be used within the fillings of a graffito, adding an additional layer of detail to the letters or images. The use of a cracks motif can create a sense of age, decay, or fragility, contributing to the overall narrative or aesthetic of the graffito.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300209168 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "crewsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "crews (graffiti)",
      "skos:broader": "groupsOfPeople",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoCreator",
      "skos:altLabel @en": "crew (graffiti)",
      "skos:editorialNote @en": "In the context of graffiti, the term \"crews\" refers to a collective or group of two or more graffitists who have decided to collaborate or associate with each other. This association is often based on shared interests, styles, geographical locations, or friendships. Being part of a crew can provide a graffitist with a sense of community and support, as well as opportunities for collaboration and collective action. Crews often work together on larger graffiti projects, such as murals or productions, and may also engage in collective activities such as battles or exhibitions.\nThe formation of a crew is a significant aspect of graffiti culture, contributing to the development of shared identities and styles, as well as fostering a sense of camaraderie and competition within the graffiti community.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300192630 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q345844",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "crossingOutGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "crossing out (graffiti)",
      "skos:broader": "publicAndInteractiveActivitiesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "crossing",
      "skos:editorialNote @en": "\"Crossing out\" in the context of graffiti refers to the act of a graffitist deliberately painting or marking over the work of another graffitist. This act is often seen as a form of disrespect or challenge within the graffiti community, as it involves defacing or obscuring someone else's work. The motivations behind crossing out can vary. It may be done as a form of rivalry or competition, to claim territory, or to express disagreement or disapproval with the crossed-out work or the graffitist who created it. It can also be a way of drawing attention to oneself, as crossing out a well-known or respected graffito can be a provocative act that generates discussion and controversy.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "crownsMotifs",
      "Type": "concept",
      "skos:prefLabel @en": "crowns (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "crown (motif)",
      "skos:editorialNote @en": "In the context of graffiti, the \"crown\" is a significant motif that carries specific cultural connotations. As a visual element, it can be incorporated into a graffito in various ways, either as a standalone symbol or as part of a larger composition.\nHowever, the crown motif holds a particular significance in the graffiti community as it is often used to denote a \"king\" - a graffitist who is recognised for their exceptional skill, prolific output, or significant influence within the graffiti scene. The act of adding a crown to a graffito can be seen as a form of self-assertion or a claim to status, although it is generally considered that the title of \"king\" should be bestowed by the community rather than self-proclaimed.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300046020 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q908430",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "cutOutsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "cut outs (graffiti)",
      "skos:broader": "pasteUpsGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "cut out (graffiti) $$ cutouts $$ cutout",
      "skos:editorialNote @en": "\"Cut outs\" in the context of graffiti refer to a specific type of street art technique. This involves the creation of an image, character, or text on a piece of paper or similar material, which is then cut out and affixed to a wall or other surface. The process of creating a cut out allows for a high degree of precision and detail, as the graffitist can take their time to craft the image or text before it is placed in a public space. The use of cut outs is a popular technique among graffitists for several reasons. Firstly, it allows for the creation of complex and detailed images that might be difficult to achieve with traditional spray paint or marker techniques. Secondly, it enables the graffitist to create their work in a private space before placing it in a public location, reducing the risk of being caught in the act of creating graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Shapes, forms, or figures cut from, or intended to be cut from, pieces of material such as paper, cardboard, wood, or cloth.\" (The J. Paul Getty Trust. ‘Cutouts’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300257411 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q5137101",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Cutouts’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300257411.",
      "skos:related": ""
    },
    {
      "Unique identifier": "dedicationsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "dedications (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "dedication (graffiti) ",
      "skos:editorialNote @en": "\"Dedications\" in the context of graffiti refer to a specific type of graffito that is created as a tribute or homage to an individual, group, or crew. The person or group to whom the graffito is dedicated is typically mentioned or represented within the piece itself. This can take the form of their name, tag, or some other symbol or representation that is associated with them. Dedications are a way for graffitists to show respect and admiration for their peers, or to commemorate individuals who have had a significant impact on them or their community. They can also serve as a form of memorial for individuals who have passed away.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300026114",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1898184",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "design",
      "Type": "collection",
      "skos:prefLabel @en": "design",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "graffitoComponent",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"design\" collection is a sub-category within the \"graffito components\" collection of the graffiti thesaurus. It focuses on the visual arrangement and composition of a graffito, including its layout, symmetry, and use of space. This collection includes more specific concepts such as \"arrows\", \"bubbles\", \"clouds\", \"cracks\", \"crowns\", and \"drips\". The \"design\" collection provides a detailed look at the various motifs and design elements that can be used in a graffito, each contributing to its overall aesthetic appeal and visual impact.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"design\" collection is exemplified by its sub-concepts. \"Arrows\" are a common motif in graffiti, often used to direct attention or add dynamic movement to a design. \"Bubbles\" refers to a motif where shapes or letters are rendered in a rounded, bubble-like style. \"Clouds\" are often used as a background or framing device, adding depth and context to the main elements of the graffiti. \"Cracks\" are a motif that gives the graffiti a weathered or aged appearance. \"Crowns\" are often used to signify respect or status within the graffiti community. \"Drips\" are a design element that gives the graffiti a raw, spontaneous look, often associated with the use of spray paint. Each of these design elements plays a crucial role in the visual language of graffiti, contributing to its unique aesthetic and expressive potential.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "designElementsAttributes",
      "Type": "concept",
      "skos:prefLabel @en": "design elements (attributes)",
      "skos:broader": "DesignElementsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Fundamental ideas and components or parts that are observable in a visual design or work of art, such as lines, points, movement, forms, spaces, colors, textures, and patterns, among others.\" (The J. Paul Getty Trust. ‘Design Elements (Attributes)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300009699 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Design Elements (Attributes)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300009699.",
      "skos:related": ""
    },
    {
      "Unique identifier": "DesignElementsHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Design Elements <hierarchy name>",
      "skos:broader": "PhysicalAttributesF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Design Elements hierarchy contains terms for conventionalized and recurring shapes and arrangements of forms used in the design of many types of object and their ornament, that may be expressed regardless of their materials (e.g., \"rosettes;\" \"Celtic crosses\"). Relation to other hierarchies: Terms for certain attributes related to shape or position are in the Attributes and Properties hierarchy (e.g., \"convex;\" \"concentric\"). Terms for three-dimensional ornamental components or elements that exist only in a given material are found in the Components hierarchy (e.g., \"finials\").\" (The J. Paul Getty Trust. ‘Design Elements (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300123558",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Design Elements (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300123558.",
      "skos:related": ""
    },
    {
      "Unique identifier": "documentGenres",
      "Type": "concept",
      "skos:prefLabel @en": "document genres",
      "skos:broader": "informationFormsObjects",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Refers to the various types or classifications of documents, which are typically physical or digital representations of a body of information that is designed with the capacity to communicate. For the broad meaning of documents as a separate concept in itself, use \"documents.\"\" (The J. Paul Getty Trust. ‘Document Genres’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300026031",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Document Genres’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300026031.",
      "skos:related": ""
    },
    {
      "Unique identifier": "documentsByFunctionGT",
      "Type": "guide term",
      "skos:prefLabel @en": "documents by function <guide term> ",
      "skos:broader": "documentGenres",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Collocates descriptors for documents that emphasize a specific purpose for which the document was created.\" (The J. Paul Getty Trust. ‘<documents by Function>’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300137955",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘<documents by Function>’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300137955.",
      "skos:related": ""
    },
    {
      "Unique identifier": "drippingTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "dripping (technique)",
      "skos:broader": "surfaceCoveringProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Dripping\" in the context of graffiti refers to a technique employed by a graffitist where paint or ink is allowed to drip down the surface of the graffito intentionally. This technique can be used to create a variety of effects, from adding texture and depth to a piece, to conveying a sense of motion or spontaneity.\nThe use of dripping can also be seen as a form of rebellion against traditional artistic norms, which often value precision and control. By allowing the paint or ink to drip, the graffitist embraces unpredictability and the inherent messiness of the medium. This can give the graffito a raw, organic feel that reflects the often spontaneous and illicit nature of graffiti creation.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Technique of creating paintings by dripping or pouring paint in a semi-controlled manner onto the support.\" (The J. Paul Getty Trust. ‘Drip Painting’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300053347 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Drip Painting’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300053347.",
      "skos:related": ""
    },
    {
      "Unique identifier": "dripsBeginnersMark",
      "Type": "concept",
      "skos:prefLabel @en": "drips (beginners' mark)",
      "skos:broader": "accidentalSurfaceCoveringProcessesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "drip (beginners' mark)",
      "skos:editorialNote @en": "\"Drips\" in the context of graffiti can also indicate a beginner or less experienced graffitist, also referred to as a \"toy\" in the graffiti community. These unintentional drips typically result from a lack of control over the spray can, which can lead to an excess of paint being applied to the surface. This excess paint then drips down the surface, creating streaks that can disrupt the intended design of the graffito.\nWhile some experienced graffitists may intentionally incorporate drips into their work as a stylistic choice, unintentional drips are generally seen as a sign of inexperience. They can detract from the overall appearance of the graffito, making it look messy or poorly executed. Therefore, gaining control over the spray can to prevent unintentional drips is often one of the first skills a new graffitist must master.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "dripsMotif",
      "Type": "concept",
      "skos:prefLabel @en": "drips (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "drip (motif)",
      "skos:editorialNote @en": "The term 'drips' within the context of graffiti refers to both a technique employed by graffitists and the resultant visual effect within the graffiti itself. It is not merely a by-product of the spray can medium, but a deliberate stylistic choice that contributes to the overall aesthetic and thematic resonance of the graffiti.\nDrips are characterised by their distinct style, often manifesting as elongated, fluid lines that descend from the primary forms of the graffiti. They can be seen as a reductive technique, simplifying the overall design and drawing attention to the raw, unrefined nature of the medium. This technique is often utilised to evoke a sense of movement, dynamism, and spontaneity within the graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "etchingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "etchings (graffiti)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "etching (graffiti)",
      "skos:editorialNote @en": "Etchings represent a distinct type of graffiti, created through the use of materials such as acid and etching techniques. Unlike traditional aerosol-based graffiti, etchings offer a unique aesthetic and a degree of permanence.\nThe creation of etched graffiti involves applying a corrosive substance onto a surface, usually glass or metal, and manipulating it to inscribe a design or text. This results in a visually striking form of graffiti writing that resists conventional removal methods, ensuring its enduring presence.\nWhile etchings share some commonalities with traditional graffiti, such as communicative intent and territorial marking, they are distinguished by their unique production process and visual characteristics. This form of graffiti underscores the innovative spirit of graffitists, who continually explore new methods and materials for self-expression and community engagement.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "etchingTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "etching (technique)",
      "skos:broader": "subtractiveProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Etching, as a technique within the realm of graffiti, involves the use of corrosive substances to inscribe a design or text onto a hard surface, typically glass or metal. This method diverges from the more common aerosol-based graffiti, offering a unique aesthetic and a high degree of permanence.\nThe etching technique requires careful application and manipulation of the corrosive substance to create the desired design. A result is a form of graffiti that is not only visually distinctive but also resistant to standard removal methods, ensuring its long-lasting presence in the public domain.\nWhile the etching technique shares some similarities with traditional graffiti in terms of its communicative intent, it is set apart by its unique production process and visual characteristics. This technique exemplifies the innovative spirit of graffitists, who continually adapt and explore new methods for self-expression within their community.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Creating marks on the surface of a hard material such as metal or glass, by the controlled corrosive action of acid. Use \"etching (printing process)\" for the series of steps that includes printing from a bitten plate.\" (The J. Paul Getty Trust. ‘Etching (Corroding)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300053840 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q186986",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Etching (Corroding)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300053840.",
      "skos:related": ""
    },
    {
      "Unique identifier": "fadingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "fadings (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "fading (graffiti)",
      "skos:editorialNote @en": "Fadings, in the context of graffiti, refer to a specific painting technique that creates a gradient effect. This technique is typically used to fill in the letters or the background of a graffito, adding depth and visual interest to the overall design.\nThe process of creating fadings involves the careful blending of one colour into another, resulting in a smooth transition that can add a sense of movement and dynamism to the graffiti. This technique requires a high level of skill and control over the spray can, as the graffitist must carefully modulate the pressure and distance to achieve the desired effect.\nHowever, fadings are not merely a technique but also an outcome. The term can refer to the gradient effect itself, which is a distinctive stylistic feature of many graffiti. Fadings can greatly enhance the visual impact of a graffito, contributing to its aesthetic appeal and communicative power.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "fame",
      "Type": "concept",
      "skos:prefLabel @en": "fame",
      "skos:broader": "sociologicalConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Action or condition of being much talked about, chiefly in a good sense. Reputation derived from great achievements, celebrity, honor, renown.\" (The J. Paul Getty Trust. ‘Fame’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300417274 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1519566",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Fame’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300417274.",
      "skos:related": ""
    },
    {
      "Unique identifier": "figuresRepresentations",
      "Type": "concept",
      "skos:prefLabel @en": "figures (representations)",
      "skos:broader": "visualWorksByFunctionGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Representations of humans, animals, or mythical beasts, in any medium.\" (The J. Paul Getty Trust. ‘Figures (Representations)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300189808",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Figures (Representations)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300189808.",
      "skos:related": ""
    },
    {
      "Unique identifier": "figureWorks",
      "Type": "concept",
      "skos:prefLabel @en": "figure works",
      "skos:broader": "visualWorksByFunctionGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Works, in any medium, in which the primary or only subject is the human figure or figures. Used especially when no other iconography is depicted.\" (The J. Paul Getty Trust. ‘Figure Works’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300391003",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Figure Works’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300391003.",
      "skos:related": ""
    },
    {
      "Unique identifier": "fillInsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "fill ins (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "fill in (graffiti)",
      "skos:editorialNote @en": "Fill ins, within the context of graffiti, denote the technique of colouring or patterning the interior of the letters in a graffito. This technique is a fundamental aspect of graffiti creation, contributing significantly to the visual impact and readability of the design.\nThe process of creating fill ins involves the application of colour or patterns within the outlined letters of a graffito. This can be achieved through a variety of techniques, including solid colour fills, gradients (or fadings), and intricate patterns. The choice of fill in technique and colour or pattern can greatly influence the overall aesthetic of the graffiti, adding depth, contrast, and visual interest.\nFill ins serve not only a decorative purpose but also a functional one, enhancing the legibility of the graffiti and helping the letters to stand out against the background. This technique is a testament to the graffitist's skill and creativity, allowing for a wide range of stylistic expressions within the confines of the letter forms.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "firstLiniesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "first lines (graffiti)",
      "skos:broader": "outlinesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "first line (graffiti) $$ lines, frist (graffiti) $$ line, first (graffiti)",
      "skos:editorialNote @en": "First lines, in the context of graffiti, refer to the initial sketch or outline of a graffito. This preliminary stage of the graffiti creation process serves as a foundational guide for the graffitist, providing a blueprint for the overall composition and design of the piece.\nThe process of creating first lines involves sketching the basic shapes and forms of the graffiti, often with a focus on the lettering. These lines are typically drawn lightly and may be rough or sketchy in nature. They serve as a guide for the subsequent stages of the graffiti creation process, including the application of fill ins and the final outline.\nIt's important to note that first lines are typically covered or obscured in the final graffito, as they are primarily used for composition and design purposes rather than as a visible element of the final piece. Despite their transient nature, first lines play a crucial role in the graffiti creation process, helping the graffitist to plan their work and achieve a balanced and cohesive design.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300015618",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "firstRowsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "first rows (graffiti)",
      "skos:broader": "openSpacesByLocationOrContextGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "rows, first (graffiti) $$ first row (graffiti)",
      "skos:editorialNote @en": "The term 'first row' in the context of graffiti refers to the area of a wall that is easily accessible from ground level. This portion of the wall is typically the most convenient for graffitists to reach without the aid of ladders, scaffolding, or other equipment. Given its accessibility, the first row often becomes a prime location for graffiti placement. However, due to its ease of reach, it is also an area that frequently gets covered or overlaid with new graffiti. This constant layering and overwriting reflect the dynamic and transient nature of graffiti culture, where visibility and space are often contested.\nDespite the ephemeral nature of the works placed in the first row, this area plays a significant role within the graffiti landscape. It serves as a canvas for graffitists to express their creativity, communicate with their peers, and engage with the wider public.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "formAttributes",
      "Type": "concept",
      "skos:prefLabel @en": "form attributes",
      "skos:broader": "attributesAndPropertiesBySpecificTypeGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Characteristics and qualities of form.\" (The J. Paul Getty Trust. ‘Form Attributes’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300226816",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Form Attributes’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300226816.",
      "skos:related": ""
    },
    {
      "Unique identifier": "genderSignsMotifs",
      "Type": "concept",
      "skos:prefLabel @en": "gender signs (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "signAndElement",
      "skos:altLabel @en": "gender sign (motif)",
      "skos:editorialNote @en": "Gender signs, as motifs within the realm of graffiti, refer to symbols or signs that represent gender identities. These signs can appear as standalone motifs on a surface, or they may be incorporated into a larger composition, often in conjunction with text, messages, or slogans.\nThe use of gender signs in graffiti serves various purposes. They can be used to express the graffitist's own gender identity, comment on societal norms and expectations related to gender, or convey a specific message or statement about gender issues. The interpretation of these signs can depend on their context within the graffiti, as well as the cultural and societal norms of the viewer.\nDespite their simplicity, gender signs can be powerful symbols within the graffiti landscape. They offer a means for graffitists to engage with complex issues of identity and society, and to communicate these ideas to a broad audience.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q48277",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "geometricStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "geometric style (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, geometric",
      "skos:editorialNote @en": "The geometric style in graffiti refers to a specific approach where the design, particularly the lettering, adheres to geometric patterns or attributes. This style is characterised by its use of precise lines, angles, and shapes, which lend a sense of order and symmetry to the graffiti.\nIn the geometric style, letters are often deconstructed into their basic geometric components, such as squares, circles, and triangles. These elements are then reassembled or overlaid in a way that maintains the legibility of the letters while introducing a distinct visual complexity.\nThe geometric style is a testament to the graffitist's ability to manipulate and reinterpret traditional letter forms. It showcases the versatility of graffiti as a medium for creative expression, and the capacity of graffitists to innovate within the constraints of the alphabet.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q43114389",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "gettingUpGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "getting up (graffiti)",
      "skos:broader": "fame",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Getting up' in the context of graffiti refers to the process of gaining recognition or fame within the graffiti community. This term encapsulates the ambition of many graffitists to make their mark and establish their presence within the graffiti-scape. The process of 'getting up' often involves creating and displaying graffiti in numerous or highly visible locations, thereby increasing the visibility of the graffitist's work. It may also involve developing a distinctive style or signature that sets the graffitist's work apart from others.\nHowever, 'getting up' is not solely about visibility or quantity of work. It also involves earning the respect of peers within the graffiti community, often through demonstrating skill, creativity, and a commitment to the culture and ethos of graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "glories",
      "Type": "concept",
      "skos:prefLabel @en": "glories",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"In painting, sculpture, and artistic image-making of various kinds, representations of radiant light or luminosity emanating from divinities, holy persons, and other divine beings or objects, such as the Christian Lamb of God or the word \"God.\" Sometimes used by extention to refer to the entire ensemble of light and beings or objects.\" (The J. Paul Getty Trust. ‘Glories’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300263370",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Glories’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300263370.",
      "skos:related": ""
    },
    {
      "Unique identifier": "graffiti",
      "Type": "concept",
      "skos:prefLabel @en": "graffiti",
      "skos:broader": "visualWorksByLocationOrContextGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoClass",
      "skos:altLabel @en": "graffito",
      "skos:editorialNote @en": "Graffiti, in its broadest sense, encompasses any intentional scribble, marking, or design created in public, communal, and even private spaces. This term serves as an umbrella for a wide range of subcategories, including 'street art', 'graffiti symbols', 'graffiti writings', and 'verbal graffiti', each with its own unique characteristics and cultural implications. Graffiti is often associated with the act of marking or altering a space without permission, typically in urban environments. It is a form of expression that transcends traditional boundaries, both physical and societal, to communicate a message, mark territory, or simply exist as a visual element within the graffiti-scape.\nWhile the forms and styles of graffiti can vary greatly, they all share a common purpose: to make a statement, to communicate, and to exist within the public eye. Despite its often transient nature, graffiti plays a significant role in shaping the visual and cultural landscape of our urban environments.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300015613 $$ http://vocab.getty.edu/aat/300410270 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch $$ closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q17514",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "graffitiConcepts",
      "Type": "concept",
      "skos:prefLabel @en": "graffiti concepts",
      "skos:broader": "conceptsInTheArtsAndHumanitiesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Graffiti Concepts', a subcategory under the guide term 'Concepts in the Arts and Humanities' in the Getty Art & Architecture Thesaurus (AAT), encapsulates a range of specific ideas and elements that are integral to the understanding and practice of graffiti. This category serves as a collective term for various aspects of graffiti, each representing a unique facet of the graffiti culture and practice.\nThe concepts included within this category cover a broad spectrum, from the technical aspects of graffiti creation such as 'fill ins' and 'fadings', to thematic elements like 'concept walls' and 'memorials'. They also encompass different forms and purposes of graffiti, from 'commissioned works' to 'messages' and 'greetings'. By grouping these diverse concepts together, the 'Graffiti Concepts' category provides a comprehensive overview of the multifaceted nature of graffiti. It underscores the complexity and richness of graffiti as a form of expression, highlighting the myriad techniques, themes, and purposes that graffitists employ in their work.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "graffitists",
      "Type": "concept",
      "skos:prefLabel @en": "graffitists",
      "skos:broader": "peopleInTheArtsAndRelatedOccupationsGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoCreator",
      "skos:altLabel @en": "graffitist",
      "skos:editorialNote @en": "A 'graffitist' is an individual who engages in the creation of graffiti. This term is used to denote those who actively participate in the graffiti-scape, contributing to its richness and diversity through their unique expressions and styles. Graffitists are often characterised by their ability to manipulate traditional and non-traditional mediums to create visually striking designs in public, communal, and even private spaces. They employ a range of techniques and styles, from simple tags to complex murals, showcasing their creativity and skill. However, the role of a graffitist extends beyond the physical act of creating graffiti. Graffitists are also cultural participants and communicators, using their work to engage with their community, express their identity, and comment on societal issues.\nIt's important to note that the term 'graffitist' is not synonymous with 'artist'. While graffitists engage in a form of creative expression, their work exists within its own unique cultural and aesthetic context, separate from traditional art paradigms.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Refers to people who create humorous, satiric, obscene, or gang-related writings or drawings that are executed anonymously in public places, usually on walls and typically illegally.\" (The J. Paul Getty Trust. ‘Graffiti Artists’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300312066",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q15095148",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Graffiti Artists’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300312066.",
      "skos:related": ""
    },
    {
      "Unique identifier": "graffitoClass",
      "Type": "collection",
      "skos:prefLabel @en": "graffito class",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"graffito class\" collection is a central part of the graffiti thesaurus, categorising the various forms and styles of graffiti. This collection does not fall under a broader category but instead serves as a parent category for a range of more specific concepts. The \"graffito class\" collection captures the diversity of graffiti forms, from \"street art\" and \"graffiti symbols\" to \"verbal graffiti\" and \"graffiti writing\". Each of these terms represents a narrower concept, providing a more detailed understanding of the different graffiti classes.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"graffito class\" collection is exemplified by the variety of graffiti forms. \"Street art\" refers to visual artwork created in public locations, often unsanctioned, but also includes officially commissioned pieces. \"Graffiti symbols\" in graffiti are iconic signs or emblems used by graffitists to convey specific meanings or messages. \"Verbal graffiti\" refers to graffiti that primarily uses words or phrases to communicate a message. Lastly, \"graffiti writing\" in the graffiti context refers to creating graffiti, particularly those that involve stylised lettering or tags.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "graffitoComponent",
      "Type": "collection",
      "skos:prefLabel @en": "graffito component",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"graffito components\" collection is a pivotal part of the graffiti thesaurus, encompassing the various elements and aspects that constitute a graffito. As a top-level collection, it does not belong to any broader category, but instead serves as a parent category for several more specific collections, including \"component part\", \"concept idea\", \"design\", \"sign and element\", and \"style\". The \"graffito components\" collection provides a comprehensive overview of the different elements that come together to create a graffito, from the physical parts and design elements to the underlying concepts and stylistic features.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"graffito components\" collection is exemplified by its sub-collections. The \"component part\" collection includes the physical parts of a graffito, such as the lines, shapes, and colours used. The \"concept idea\" collection encompasses the underlying themes or messages that a graffito may convey. The \"design\" collection refers to the visual arrangement and composition of a graffito, including its layout, symmetry, and use of space. The \"sign and element\" collection includes the various signs, symbols, or iconic elements used in a graffito. Lastly, the \"style\" collection refers to the distinctive visual characteristics or techniques that define a particular graffito or a graffitist's body of work.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "graffitoCreator",
      "Type": "collection",
      "skos:prefLabel @en": "graffito creator",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"graffito creator\" collection is a key category within the graffiti thesaurus, focusing on the individuals or groups who create graffiti. As an independent collection, it does not fall under a broader category, but instead serves as a parent category for more specific concepts such as \"graffitists\", \"street artists\", and \"writers\". The \"graffito creator\" collection recognises the diverse range of individuals and groups who contribute to the graffiti landscape, each with their unique styles, techniques, and motivations.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"graffito creator\" collection is exemplified by its sub-concepts. \"Graffitists\" is a broad term that encompasses all individuals who create graffiti, regardless of their style or technique. \"Street artists\" refers to individuals or groups who create public art in urban environments, often with a focus on visual aesthetics and social commentary. Their work, while still considered graffiti, often leans towards the more artistic side of the spectrum. \"Writers\", on the other hand, are graffitists who focus on stylised lettering and tags, often prioritising quantity and coverage over the visual complexity of their work.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "graffitoType",
      "Type": "collection",
      "skos:prefLabel @en": "graffito type",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"graffito type\" collection is a significant category within the graffiti thesaurus, encompassing the various forms and styles that graffiti can take. This collection stands independently, not falling under a broader category, but instead serving as a parent category for more specific concepts such as \"characters\", \"stencils\", \"slogans\", \"scratchings\", \"tags\", and \"throw ups\". The \"graffito type\" collection captures the wide array of graffiti forms, each with its unique visual characteristics and methods of creation.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"graffito type\" collection is exemplified by its sub-concepts. \"Characters\" refers to graffiti that features stylised figures or characters, often seen in street art. \"Stencils\" are a common type of street art where images or designs are created by spraying paint over a pre-cut template. \"Slogans\" are a form of verbal graffiti that primarily uses words or phrases to convey a message. \"Scratchings\" refers to graffiti created by etching or scratching a design into a surface. \"Tags\" are the most basic form of graffiti, consisting of a graffitist's stylised signature. \"Throw ups\" are larger and more elaborate than tags, usually consisting of stylised lettering created with two or three colours. Each of these types represents a unique approach to creating graffiti, reflecting the diversity and creativity within the graffiti community.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "greetingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "greetings (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "greeting (graffiti)",
      "skos:editorialNote @en": "Greetings, in the context of graffiti, refer to the practice of adding names to a graffito as a form of acknowledgment or salute. These names often belong to fellow graffitists or individuals who are recognised or respected within the graffiti community. The act of including a greeting within a graffito serves multiple purposes. It can be a way to pay respect, express solidarity, or establish a connection with the person being greeted. It's a testament to the communal aspect of graffiti culture, where recognition and relationships play a significant role. Greetings are typically considered on par with dedications in the hierarchy of graffiti elements. While they may not be the central focus of a graffito, their inclusion adds a layer of personal and social significance to the work, reflecting the interconnectedness of the graffiti-scape.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q50809272",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "groupsOfPeople",
      "Type": "concept",
      "skos:prefLabel @en": "groups of people",
      "skos:broader": "peopleAgents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"General term for types of groups of people.\" (The J. Paul Getty Trust. ‘Groups of People’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300192630 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Groups of People’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300192630.",
      "skos:related": ""
    },
    {
      "Unique identifier": "hallsOfFameGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "halls of fame (graffiti)",
      "skos:broader": "openSpacesByLocationOrContextGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "hall of fame (graffiti)",
      "skos:editorialNote @en": "A 'Hall of Fame' in the context of graffiti refers to a well-known area where numerous graffiti works are created and displayed. Unlike a traditional art gallery, these spaces are not curated; instead, they serve as open canvases where graffitists are free to express their creativity and leave their mark. These areas often become significant within the graffiti community, acting as communal galleries where one can observe a variety of graffiti from different graffitists. They offer a snapshot of the local graffiti-scape, showcasing the diversity of styles, techniques, and themes present within the community. While the term 'Hall of Fame' is also used in the Getty AAT to refer to a built environment, its usage within the graffiti community is more fluid and open to interpretation. It can refer to any space, whether indoor or outdoor, that has become a hotspot for graffiti creation and display. The classification of 'Hall of Fame' within the broader taxonomy of graffiti concepts may require further discussion, given its unique characteristics and significance within the graffiti culture.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300005813 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1046088",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "halosGlories",
      "Type": "concept",
      "skos:prefLabel @en": "halos (glories)",
      "skos:broader": "glories",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "halo (glories)",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Glories that comprise a circle, disk, series of lines, or rays of light with which the head of the sacred personage is surrounded. In Hellenistic and Roman art, halos are worn by the sun-god Helios and Roman emperors often appear with a crown of rays. The imagery was picked up in Christian art.\" (The J. Paul Getty Trust. ‘Halos (Glories)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300375684 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q3341893",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Halos (Glories)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300375684.",
      "skos:related": ""
    },
    {
      "Unique identifier": "halosGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "halos (graffiti)",
      "skos:broader": "halosGlories",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "halo (graffiti)",
      "skos:editorialNote @en": "A 'halo' in the context of graffiti refers to a motif that is often created above a tag, throw up, or piece. Resembling a holy sign, it serves as a symbol of respect and recognition, similar to the use of a 'crown' in graffiti. The inclusion of a halo in a graffito is a testament to the skill and reputation of the graffitist. It is often used to signify that the graffitist is highly skilled, respected, or even considered a 'king' within the graffiti community. Despite its simplicity, the halo is a powerful symbol within the graffiti-scape. It serves as a visual shorthand for the status and esteem of the graffitist, adding a layer of meaning and context to the graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "handstylesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "handstyles (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "handstyle",
      "skos:editorialNote @en": "Handstyles, within the context of graffiti, refer to the unique signature or tag style of a graffitist. This concept encapsulates the individualised lettering style that a graffitist develops and becomes known for within the graffiti community. Handstyles are often seen in tags, serving as a visual signature that allows the graffitist to be identified. They are a testament to the graffitist's skill and creativity, showcasing their ability to manipulate letter forms and create a distinctive style.\nWhile handstyles are most commonly associated with tags, they can also appear in larger works such as pieces or writings, much like an artist signing their work. Some graffitists, like Keith Haring, are known for their unique handstyles that become a recognisable element of their larger works. Handstyles are dynamic and can evolve over time as the graffitist refines their style or adapts to new influences. They serve as a visual fingerprint within the graffiti-scape, marking the graffitist's presence and contributing to their reputation and identity within the graffiti community.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q16873917",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "heartsMotifs",
      "Type": "concept",
      "skos:prefLabel @en": "hearts (motif)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "signAndElement",
      "skos:altLabel @en": "heart (motif)",
      "skos:editorialNote @en": "A 'heart' in the context of graffiti refers to a motif that is often used for its universal symbolism of love, passion, and emotion. This motif can be incorporated into a graffito in various ways, from standalone designs to patterns, and even as a stylistic element in lettering.\nThe heart motif can be used to convey a range of messages or sentiments, depending on its context within the graffiti. It can express personal feelings, comment on societal issues related to love and relationships, or simply serve as a decorative element. In some instances, graffitists may also shape letters or entire words into a heart form, adding a layer of visual interest and complexity to their work. ",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Refers to the highly conventionalized figure based on the shape of the human heart.\" (The J. Paul Getty Trust. ‘Hearts (Motifs)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300009874 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q826930",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Hearts (Motifs)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300009874.",
      "skos:related": ""
    },
    {
      "Unique identifier": "helloMyNameIsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "Hello My Name Is (graffiti)",
      "skos:broader": "stylesSticker",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Hello My Name Is' in the context of graffiti refers to a specific style of sticker that serves as a canvas for a tag or handstyle. Originating from the ubiquitous 'Hello My Name Is' name badges, these stickers have been adopted by the graffiti community as a medium for their work. The 'Hello My Name Is' sticker style is characterised by the presence of a tag written over the sticker's original text. The tag, often created in the graffitist's unique handstyle, becomes the focal point of the sticker, transforming a mundane object into a piece of graffiti. This style of sticker graffiti offers a portable and versatile medium for graffitists.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "highlightsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "highlights (graffiti)",
      "skos:broader": "outlinesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "highlight (graffiti) $$ highlight $$ highlights",
      "skos:editorialNote @en": "Highlights' in the context of graffiti refer to the use of light-coloured (often white) lines or star-shaped marks that are added to a graffito to create the illusion of light reflecting off the surface. These elements are strategically placed on the letters or designs to mimic the effect of sunlight or artificial light hitting specific points, thereby enhancing the three-dimensional effect of the graffito.\nHighlights are a key technique in graffiti, often used in conjunction with shadows to enhance the depth and dimensionality of the work. They add a level of complexity and realism to the graffiti, showcasing the graffitist's skill in manipulating visual elements to create a sense of depth and volume. By mimicking the effects of light and shadow, highlights contribute to the visual impact of the graffiti, transforming flat designs into dynamic, three-dimensional forms that capture the viewer's attention.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The technique of adding white or light media on a medium-toned or dark ground. The term is usually reserved for drawing, but painting and other image-making processes may also employ highlighting.\" (The J. Paul Getty Trust. ‘Highlighting’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300389864",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q2412125",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Highlighting’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300389864.",
      "skos:related": ""
    },
    {
      "Unique identifier": "informationFormComponents",
      "Type": "concept",
      "skos:prefLabel @en": "information form components",
      "skos:broader": "componentsBySpecificContextGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Parts or components of information forms.\" (The J. Paul Getty Trust. ‘Information Form Components’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300201262",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Information Form Components’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300201262.",
      "skos:related": ""
    },
    {
      "Unique identifier": "InformationFormsHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Information Forms <hierarchy name>",
      "skos:broader": "VisualAndVerbalCommunicationHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Information Forms hierarchy contains terms for textual, graphic, and physical objects having the primary and original purpose to record or convey specific information. Titles of particular texts are excluded, except where they are used to refer to a broad category of works (e.g., \"Bibles\" is included, but \"Tale of Two Cities\" is excluded). Relation to other hierarchies: Terms for typeface and scripts (e.g., \"Caroline minuscule\") are in the Components hierarchy, \"information forms components\" having a non-preferred partitive parent here. Terms for two- and three-dimensional works created to communicate primarily visually, especially to communicate expressive meaning rather than specific information, appear in the Visual Works hierarchy (e.g., \"still lifes\"). Types of prints used primarily to reproduce documents and technical drawings (e.g., \"blueprints (reprographic copies)\") which, though produced by light-sensitive processes are not considered photographs, appear here, while photographs and photomechanical prints are found in Visual Works. Terms for many types of financial documents are found here, while items that specifically are used in the exchange of goods or services or in the settlement of debts are found in the Exchange Media hierarchy.\" (The J. Paul Getty Trust. ‘Information Forms (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300026029",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Information Forms (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300026029.",
      "skos:related": ""
    },
    {
      "Unique identifier": "informationFormsObjects",
      "Type": "concept",
      "skos:prefLabel @en": "information forms (objects)",
      "skos:broader": "InformationFormsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Types of textual, graphic, electronic, or physical items having the primary and original purpose to record or convey specific information. For forms in the sense of a document having blanks to be filled in, use \"forms (documents).\"\" (The J. Paul Getty Trust. ‘Information Forms (Objects)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300220751",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Information Forms (Objects)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300220751.",
      "skos:related": ""
    },
    {
      "Unique identifier": "informationTechnology",
      "Type": "concept",
      "skos:prefLabel @en": "information technology",
      "skos:broader": "technologyGeneralAssociatedConcept",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The application of microelectronics, computers, telecommunication, and other automation methods or technology to the organization, storage, retrieval, and dissemination of information, including aural, pictorial, textual, and numeric information.\" (The J. Paul Getty Trust. ‘Information Technology’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300128218",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Information Technology’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300128218.",
      "skos:related": ""
    },
    {
      "Unique identifier": "inlinesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "inlines (graffiti)",
      "skos:broader": "outlinesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "inline (graffiti)",
      "skos:editorialNote @en": "Inlines' in the context of graffiti refers to a specific style of graffiti writing characterised by the use of clean, sharp, and well-defined letters. These letters are typically created using a single continuous line, resulting in a streamlined and cohesive appearance. The inline style emphasises legibility and clarity, making it easier for viewers to read the words or messages in the graffiti. This style stands in contrast to more complex or abstract graffiti styles, offering a straightforward and accessible form of expression. Inlines contribute to the diversity of the graffiti-scape, showcasing the range of techniques and styles that graffitists employ in their work. They demonstrate that graffiti can be as much about clear communication as it is about artistic expression.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "kingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "kings (graffiti)",
      "skos:broader": "peopleByStateOrConditionGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "king (graffiti)",
      "skos:editorialNote @en": "Kings' in the context of graffiti refers to graffitists who have earned a high level of respect and recognition within the graffiti community. The title of 'King' is not self-proclaimed but is bestowed by the community in acknowledgment of the graffitist's skill, creativity, and contribution to the graffiti-scape. A 'King' often signifies their status by adding a halo or crown to their tag or other graffiti writings. This visual marker serves as a testament to their standing within the community and their achievement in 'getting up', or becoming well-known and respected. The concept of 'Kings' underscores the social and hierarchical aspects of the graffiti culture. It highlights the community's role in recognising and honouring the talents of its members and the importance of respect and reputation within this sphere.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300025481",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q12097",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "letterformComponents",
      "Type": "concept",
      "skos:prefLabel @en": "letterform components",
      "skos:broader": "letterforms",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Parts or components of letterforms.\" (The J. Paul Getty Trust. ‘Letterform Components’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300266482",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Letterform Components’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300266482.",
      "skos:related": ""
    },
    {
      "Unique identifier": "letterforms",
      "Type": "concept",
      "skos:prefLabel @en": "letterforms",
      "skos:broader": "lettersSigns",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The design, graphic forms, or shapes of letters or symbols, either as written by hand or as represented in a particular type font. Referenced most often in the fields of typography, paleography, calligraphy, and epigraphy.\" (The J. Paul Getty Trust. ‘Letterforms’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300387689",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Letterforms’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300387689.",
      "skos:related": ""
    },
    {
      "Unique identifier": "letterShadowsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "letter shadows (graffiti)",
      "skos:broader": "outlinesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "shadows, letter (graffiti) $$ letter shadow (graffiti)",
      "skos:editorialNote @en": "Letter Shadows' in the context of graffiti refers to the technique of adding shadows to the letters or characters of a graffito to create a sense of depth and three-dimensionality. This design element is often used in conjunction with highlights to enhance the visual impact of the graffiti and to give the text or characters a more realistic, three-dimensional appearance. The placement of letter shadows is typically opposite to the direction of the highlights, mimicking the way light and shadow interact in a three-dimensional space. This technique showcases the graffitist's understanding of light and perspective and their ability to manipulate these elements to create a more dynamic and visually engaging work. Letter shadows contribute to the complexity and visual appeal of the graffiti, transforming flat letters or characters into three-dimensional forms that capture the viewer's attention.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300056036 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "lettersSigns",
      "Type": "concept",
      "skos:prefLabel @en": "letters (signs)",
      "skos:broader": "phoneticSigns",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Conventional symbols, usually written or printed, representing alone or in combination simple or complex speech sounds and constituting the units of an alphabet.\" (The J. Paul Getty Trust. ‘Letters (Signs)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300055055",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Letters (Signs)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300055055.",
      "skos:related": ""
    },
    {
      "Unique identifier": "mechanicalStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "mechanical style (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, mechanical",
      "skos:editorialNote @en": "The \"mechanical style\" in the context of graffiti refers to a specific style of graffiti writing that incorporates mechanical elements into the design of the letters. This style is characterised by the use of geometric shapes, sharp angles, and elements that mimic the aesthetics of machinery or technology. The mechanical style showcases the graffitist's ability to integrate complex and unconventional design elements into their work, resulting in graffiti that has a distinct, industrial feel. The letters in this style often appear as if they are constructed from mechanical parts, giving the graffiti a sense of structure and precision.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "memorialsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "memorials (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "memorial (graffiti)",
      "skos:editorialNote @en": "\"Memorials\" in the context of graffiti can be understood in two distinct but related ways. Firstly, a memorial can be a graffito created specifically to remember or honour an individual. This is similar to a dedication, where the graffito serves as a tribute to a person, often someone who has passed away or is greatly respected within the community. Secondly, a memorial can also refer to a graffito that is actively preserved by the community in memory of a graffitist who has passed away, particularly if they died prematurely. In this case, the graffito itself becomes a symbol of remembrance, a testament to the graffitist's impact on the community and their contribution to the graffiti-scape. \nIt's important to note that the purpose of a graffito can change over time. A work that was not initially created as a memorial may become one of the graffitist it's associated with passes away. Similarly, a memorial graffito may gain new layers of meaning as it is preserved and interacted with by the community over time.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300006956",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q5003624",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "messagesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "messages (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "message (graffiti)",
      "skos:editorialNote @en": "\"Messages\" in the context of graffiti can have dual meanings. Firstly, it can refer to a specific part of the graffito that is intended to communicate a direct message to a particular audience. This could be a fellow graffitist, a graffiti crew, or the general public. These messages can be explicit, such as a dedication or a statement, or they can be more subtle, requiring knowledge of the graffiti community's codes and conventions to understand.\nSecondly, the term \"message\" can also refer to the overall meaning or statement that the graffito as a whole is intended to convey. This could be a political statement, a social commentary, or an expression of the graffitist's identity or emotions. The interpretation of this message can vary greatly depending on the viewer's perspective and context. For example, the creator of the graffito may have a specific intention or message in mind, but this may be interpreted differently by an observer or a researcher studying the graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q628523",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "minimalismGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "minimalism (graffiti)",
      "skos:broader": "stylesStreetArt",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Minimalism\" in the context of graffiti refers to a style of graffiti writing that draws inspiration from the Minimalist art movement. This style is characterised by its simplicity, use of basic shapes and forms, and restrained colour palette. Minimalist graffiti emphasises the essentials of graffiti writing, often focusing on the structure and form of the letters rather than intricate designs or embellishments. It showcases the graffitist's ability to convey meaning and create impact through simplicity and reduction.\nWhile Minimalist graffiti is inspired by the Minimalist art movement, it is not the same. It exists within the unique cultural and aesthetic context of graffiti, and it reflects the graffitist's interpretation of Minimalist principles rather than a direct application of them.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300065758",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q173436",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "mirroredGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "mirrored (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Mirrored\" in the context of graffiti refers to a specific style of graffiti writing where the letters are designed in such a way that a mirror is needed to read the graffito correctly. This style involves creating a mirror image of the letters, effectively reversing their orientation and making them appear backwards when viewed normally. The mirrored style adds a layer of complexity and intrigue to the graffiti, challenging viewers to engage more deeply with the work in order to decipher its content. It showcases the graffitist's creativity and skill in manipulating letter forms and their ability to challenge conventional reading processes.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "mosaicsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "mosaics (graffiti)",
      "skos:broader": "streetArtGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "mosaic (graffiti)",
      "skos:editorialNote @en": "\"Mosaic\" in the context of graffiti refers to a specific type of graffito, often associated with street art, that is created using small pieces of materials such as tiles, glass, or mirrors. These pieces are meticulously arranged and attached to a surface to form a larger image or design. The mosaic style is characterised by its additive technique, where the final image is built up piece by piece. Each individual tile or fragment contributes to the overall design, creating a complex and detailed work that reveals its full impact when viewed from a distance.\nMosaic graffiti offers a unique aesthetic within the graffiti-scape, showcasing the graffitist's patience, precision, and ability to work with a variety of materials. It also demonstrates the potential for graffiti to engage with traditional art forms and techniques, reinterpreting them within the context of public, communal, and even private spaces.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Images or patterns composed of small, regularly shaped pieces of durable material, usually stone or colored glass. Distinguished from \"opus sectile,\" which is composed of individually shaped pieces of durable material, usually stone or glass, which conform to the design or pattern.\" (The J. Paul Getty Trust. ‘Mosaics (Visual Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300015342",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q133067",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Mosaics (Visual Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300015342.",
      "skos:related": ""
    },
    {
      "Unique identifier": "mosaicTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "mosaic (technique)",
      "skos:broader": "surfaceCoveringProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"A method of decorating surfaces with patterns or pictures composed of small, regularly-shaped pieces of colored durable material, such as stone or glass.\" (The J. Paul Getty Trust. ‘Mosaic (Process)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300138684",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Mosaic (Process)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300138684.",
      "skos:related": ""
    },
    {
      "Unique identifier": "motifs",
      "Type": "concept",
      "skos:prefLabel @en": "motifs",
      "skos:broader": "designElementsAttributes",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "motif",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Distinct or separable design elements, usually decorative, whether occurring singly as individual shapes. Distinguished from \"patterns (design elements);\" which are ornamental designs composed of repeated or combined motifs.\" (The J. Paul Getty Trust. ‘Motifs’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300009700",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Motifs’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300009700.",
      "skos:related": ""
    },
    {
      "Unique identifier": "muralsStreetArt",
      "Type": "concept",
      "skos:prefLabel @en": "murals (street art)",
      "skos:broader": "streetArtGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "mural (street art)",
      "skos:editorialNote @en": "\"Murals (street art)\" in the context of street art refers to large-scale works that cover a significant portion, if not all, of a wall or surface. These works are often site-specific, designed to interact with the architecture and environment in which they are placed. Murals in street art are typically characterised by their grand scale and public visibility. They often engage with the local community, reflecting or commenting on social, cultural, or political themes relevant to the area. Unlike traditional murals, which may be commissioned and planned in advance, street art murals can be spontaneous and unsanctioned, reflecting the dynamic and often transient nature of the street art scene. However, they can also be commissioned works, reflecting a growing recognition of street art as a legitimate and valued form of public art.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Painted decorations or scenes that dominate a wall (or ceiling) surface. For works in other media that dominate a wall (or ceiling), use the more general term \"murals (any medium)\".\" (The J. Paul Getty Trust. ‘Mural Paintings (Visual Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300033644",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q219423",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Mural Paintings (Visual Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300033644.",
      "skos:related": ""
    },
    {
      "Unique identifier": "muralsWriting",
      "Type": "concept",
      "skos:prefLabel @en": "murals (writing)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "mural (writing)",
      "skos:editorialNote @en": "\"Murals (writing)\" in the context of graffiti writing refers to large-scale works that cover a significant portion, if not all, of a wall or surface. Unlike street art murals, which are primarily focused on figurative elements or objects, murals in graffiti writing are predominantly text-focused. These works often feature stylised lettering and typography, showcasing the graffitist's skill in creating complex, large-scale text designs. The text in these murals can range from tags and pseudonyms to phrases, messages, or even full sentences. Murals in graffiti writing can be spontaneous or planned, and like other forms of graffiti, they can be unsanctioned or commissioned. They are a prominent feature of the graffiti-scape, reflecting the importance of text and lettering in graffiti culture.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Painted decorations or scenes that dominate a wall (or ceiling) surface. For works in other media that dominate a wall (or ceiling), use the more general term \"murals (any medium)\".\" (The J. Paul Getty Trust. ‘Mural Paintings (Visual Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300033645",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q219424",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Mural Paintings (Visual Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300033644.",
      "skos:related": ""
    },
    {
      "Unique identifier": "naturalElementMotifs",
      "Type": "concept",
      "skos:prefLabel @en": "natural element motifs",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Decorative design motifs that contain elements from nature.\" (The J. Paul Getty Trust. ‘Natural Element Motifs’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300009907",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Natural Element Motifs’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300009907.",
      "skos:related": ""
    },
    {
      "Unique identifier": "ObjectsF",
      "Type": "facet",
      "skos:prefLabel @en": "Objects <facet>",
      "skos:broader": "",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Includes terms for discrete tangible or visible things that are inanimate and produced by human endeavor, that is, that are either fabricated or given form by human activity. These range, in physical form, from built works to images and written documents. They range in purpose from utilitarian to the aesthetic. Also included are landscape features that provide the context for the built environment paintings, amphorae, facades, cathedrals, Brewster chairs, gardens.\" (The J. Paul Getty Trust. ‘Objects Facet’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264092",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Objects Facet’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264092.",
      "skos:related": ""
    },
    {
      "Unique identifier": "openSpaces",
      "Type": "concept",
      "skos:prefLabel @en": "open spaces",
      "skos:broader": "OpenSpacesAndSiteElementsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Spaces in urban environments designed as passages for pedestrians, and as social spaces, not as clearly delimited as parks, but sharing some of the same characteristics. Often these function as utilitarian connecting spaces between buildings, or simply as an open area designated by a municipal authority, but without the amenities or formality of a park.\" (The J. Paul Getty Trust. ‘Open Spaces’)",
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      "dct:source": "The J. Paul Getty Trust. ‘Open Spaces’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300008072.",
      "skos:related": ""
    },
    {
      "Unique identifier": "OpenSpacesAndSiteElementsHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Open Spaces and Site Elements <hierarchy name>",
      "skos:broader": "BuiltEnvironmentHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Open Spaces and Site Elements hierarchy contains terms for open spaces that are relatively coherent areas created and modified by many of the same concepts and processes that shape buildings and other structures (e.g.g., \"gardens\", \"plazas\"), as well as descriptors for discrete manufactured or manipulated features found in or around open spaces, other cultural landscapes, or natural landscapes (e.g.g., \"flagpoles\", \"windbreaks\"). Relation to Other Hierarchies: In the Components hierarchy are found terms for the structural systems and individual building parts (e.g.g., \"balloon frames\", \"garage doors\") that make up single built works as well as descriptors for rooms, spaces, and other large building subdivisions (e.g., \"kitchens\"), and descriptors for the infrastructural system components found throughout the landscape (e.g.g., \"water mains\", \"overpasses\"). Terms for the human-produced features of open spaces and cultural landscapes (e.g.g., \"lawns\", \"berms\") are found here, while descriptors for types of natural landscape features and their components (e.g.g., \"cliffs\", \"rivers\") are found in the Settlements and Landscapes hierarchy.\" (The J. Paul Getty Trust. ‘Open Spaces and Site Elements (Hierarchy Name)’)",
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      "dct:source": "The J. Paul Getty Trust. ‘Open Spaces and Site Elements (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300139081.",
      "skos:related": ""
    },
    {
      "Unique identifier": "openSpacesByLocationOrContextGT",
      "Type": "guide term",
      "skos:prefLabel @en": "open spaces by location or context <guide term>",
      "skos:broader": "openSpaces",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
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      "external concept (getty)": "http://vocab.getty.edu/aat/300008337",
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      "skos:related": ""
    },
    {
      "Unique identifier": "organicStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "organic style (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, organic ",
      "skos:editorialNote @en": "The \"organic style\" in the context of graffiti refers to a specific style of graffiti writing that is characterised by its natural, flowing forms and shapes. Drawing inspiration from nature, this style often features elements that mimic the organic patterns and structures found in the natural world, such as the branching of trees or the growth patterns of plants. Organic style graffiti is often marked by smooth, flowing lines and forms, creating a sense of movement and growth. The designs may blend harmoniously with their surroundings, particularly when placed in natural environments, reflecting the graffitist's sensitivity to the context in which their work is placed.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
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    },
    {
      "Unique identifier": "outlinesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "outlines (graffiti)",
      "skos:broader": "letterformComponents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "outline (graffiti)",
      "skos:editorialNote @en": "\"Outlines\" in the context of graffiti refers to the initial lines or contours that a graffitist uses to define the shape and structure of their work. These lines serve as a guide for the graffitist, helping them to plan the layout and composition of the graffiti before adding colour, shading, and other details. Outlines are a crucial part of the graffiti creation process, providing the foundation upon which the rest of the work is built. They are typically drawn using a contrasting colour to the fill-ins, helping to distinguish the individual elements of the graffiti and enhancing its visual impact. Outlines can vary in thickness and style, reflecting the graffitist's unique approach and the specific requirements of the work. They contribute to the overall aesthetic of the graffiti, playing a key role in defining its form and structure.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
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    },
    {
      "Unique identifier": "paintStencilTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "paint stencil (technique)",
      "skos:broader": "surfaceCoveringProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "stencil, paint (technique)",
      "skos:editorialNote @en": "The \"paint stencil\" technique in graffiti refers to a method where a design, pattern, or image is cut out of thin material like paper, cardboard, or plastic to create a stencil. This stencil is then used as a guide to apply paint onto a surface, creating a reproducible and precise image. This technique is particularly popular in graffiti due to its simplicity, speed, and ability to create identical symbols, letters, or shapes.\nIn the context of graffiti, the paint stencil technique is often used to create a specific type of graffiti known as stencil graffiti. This form of graffiti is characterized by its sharp, well-defined images that can be quickly and easily reproduced, making it a popular choice for graffitists who want to disseminate their work widely and rapidly. Moreover, the paint stencil technique allows for a high degree of creativity. Graffitists can use multiple layers of paint or aerosol to create the illusion of depth, and the stencils themselves can range from simple to complex designs. This flexibility, combined with the technique's inherent speed and reproducibility, has made the paint stencil technique a mainstay in the world of graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
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      "external concept (getty)": "http://vocab.getty.edu/aat/300428775 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
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      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
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      "skos:related": ""
    },
    {
      "Unique identifier": "paperStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "paper style (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, paper",
      "skos:editorialNote @en": "\"Paper style\" in the context of graffiti refers to a specific style of graffiti writing that is characterised by its resemblance to folded or creased paper. This style often features letters or shapes that mimic the sharp angles, folds, and creases that one would find on a piece of folded paper. The paper style is a testament to the graffitist's ability to create a sense of depth and three-dimensionality on a flat surface. It requires a high level of skill and precision, as the graffitist must carefully control the placement of lines and shading to create the illusion of folded paper.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
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      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q11472",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "pasteUpsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "paste ups (graffiti)",
      "skos:broader": "streetArtGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "paste up (graffiti)",
      "skos:editorialNote @en": "\"Paste-ups\" in graffiti refer to creations that are prepared in private and quickly applied in public spaces. They are drawn, applied, or printed onto material that has an adhesive backing. This allows the graffitist to create intricate designs or messages in a controlled environment and then rapidly deploy them in the public sphere. This technique is often used for larger pieces that would be time-consuming to create directly on the surface in a public space. The use of paste-ups broadens the range of possible locations for graffiti, as they can be applied to surfaces that might not be conducive to traditional spray paint graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Graffiti art comprising images, usually on paper, affixed to surfaces using a wheat flour mixture.\" (The J. Paul Getty Trust. ‘Wheatpasting (Graffiti Art)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410376 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q484196",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Wheatpasting (Graffiti Art)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410376.",
      "skos:related": ""
    },
    {
      "Unique identifier": "peopleAgents",
      "Type": "concept",
      "skos:prefLabel @en": "people (agents)",
      "skos:broader": "PeopleHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Members of the species Homo sapiens and their close extinct relatives, as distinguished from other animals, spirits, or other entities.\" (The J. Paul Getty Trust. ‘People (Agents)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
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      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘People (Agents)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300024979.",
      "skos:related": ""
    },
    {
      "Unique identifier": "peopleByOccupationGT",
      "Type": "guide term",
      "skos:prefLabel @en": "people by occupation <guide term>",
      "skos:broader": "peopleAgents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
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      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300024980",
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    },
    {
      "Unique identifier": "peopleByStateOrConditionGT",
      "Type": "guide term",
      "skos:prefLabel @en": "people by state or condition <guide term>",
      "skos:broader": "peopleAgents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
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    },
    {
      "Unique identifier": "PeopleHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "People <hierarchy name>",
      "skos:broader": "AgentsF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The People hierarchy contains terms for the roles played by or condition of individual people (e.g., \"painter\") and multiple people (e.g., \"painters\"), but not organizations. Included are roles for people's occupations or activities (e.g., \"conservators\"), by biological or social roles (e.g., \"parents \"), and by other characteristics such as adherence to a particular belief (e.g., \"pacifists \") or social or physical condition (e.g., \"rulers\"). Also included are terms for roles of multiple people defined by activity (e.g., \"steel bands \") and social, mental, or physical condition (e.g., \"poor\"). Relation to other hierarchies: Terms for organized groups of people (e.g., \"firms;\" \"nations\") are found in the Organizations hierarchy. Terms for branches of learning, areas of specialization, and professional fields are found in the Disciplines hierarchy (e.g., \"mathematics;\" \"museology\").\" (The J. Paul Getty Trust. ‘People (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
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      "dct:source": "The J. Paul Getty Trust. ‘People (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300024978.",
      "skos:related": ""
    },
    {
      "Unique identifier": "peopleInTheArtsAndRelatedOccupationsGT",
      "Type": "guide term",
      "skos:prefLabel @en": "people in the arts and related occupations <guide term>",
      "skos:broader": "peopleInTheHumanitiesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
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      "skos:definition @en": "",
      "skos:example @en": "",
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      "skos:related": ""
    },
    {
      "Unique identifier": "peopleInTheHumanitiesGT",
      "Type": "guide term",
      "skos:prefLabel @en": "people in the humanities <guide term>",
      "skos:broader": "peopleByOccupationGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
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      "skos:definition @en": "",
      "skos:example @en": "",
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    },
    {
      "Unique identifier": "phoneticSigns",
      "Type": "concept",
      "skos:prefLabel @en": "phonetic signs",
      "skos:broader": "scriptAndTypeSigns",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Individual written signs that correspond to separate speech sounds or to syllables in a spoken language.\" (The J. Paul Getty Trust. ‘Phonetic Signs’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300194779",
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      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Phonetic Signs’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. https://www.getty.edu/vow/AATFullDisplay?find=&logic=AND&note=&subjectid=300194779.",
      "skos:related": ""
    },
    {
      "Unique identifier": "photorealisticStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "photorealistic style (graffiti)",
      "skos:broader": "stylesStreetArt",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, photorealistic",
      "skos:editorialNote @en": "The \"Photorealistic Style\" in graffiti refers to a genre of art that is characterized by the meticulous and precise replication of a scene or object as realistically as possible, often to the point where it resembles a high-resolution photograph. This style is often associated with street art and art itself, as it involves drawing something that looks as realistic as a picture or photograph. Photorealism originated as an art movement in the late 1960s and early 1970s, where artists would study a photograph and then attempt to reproduce the image as realistically as possible in another medium. In the context of graffiti, the photorealistic style is often used to create intricate and lifelike representations of people, objects, or scenes on walls or other large surfaces. The photorealistic style requires a high level of technical skill and artistic prowess, as it involves accurately capturing the minute details, textures, lighting, and colours of the subject matter. This style of graffiti often has a powerful visual impact and can transform urban environments into immersive works of art.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
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      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300022201",
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      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "physicalActivitiesBySpecificContextGT",
      "Type": "guide term",
      "skos:prefLabel @en": "physical activities by specific context <guide term>",
      "skos:broader": "PhysicalAndMentalActivitiesHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
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      "skos:definition @en": "",
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      "external concept (getty)": "http://vocab.getty.edu/aat/300239444",
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      "skos:related": ""
    },
    {
      "Unique identifier": "PhysicalAndMentalActivitiesHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Physical and Mental Activities <hierarchy name>",
      "skos:broader": "ActivitiesF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Physical and Mental Activities hierarchy contains terms for activities ranging from single actions to complex sets of physical and mental pursuits. Mental activities are those performed entirely or primarily with the brain (e.g., \"meditation;\" \"studying\"). Physical activities are those performed with other parts of the body or the body as a whole (e.g., \"ballooning;\" \"dancing (activity)\"). Relation to other hierarchies: Terms for processes performed physically on or with materials or objects (e.g., \"carving\") are in the Processes and Techniques hierarchy. Terms for organizational, administrative, or intellectual activities conducted to achieve specific purposes (e.g., \"analysis\") are in the Functions hierarchy. Terms denoting occasions (e.g., \"coronations;\" \"races\") appear in the Events hierarchy.\" (The J. Paul Getty Trust. ‘Physical and Mental Activities (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300222468",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Physical and Mental Activities (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300222468.",
      "skos:related": ""
    },
    {
      "Unique identifier": "PhysicalAttributesF",
      "Type": "facet",
      "skos:prefLabel @en": "Physical Attributes <facet>",
      "skos:broader": "",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Includes terms for the perceptible or measurable characteristics of materials and artifacts as well as features of materials and artifacts that are not separable as components, and needed to catalog visual works. Included are characteristics such as size and shape, chemical properties of materials, qualities of texture and hardness, and features such as surface ornament. Examples borders, round, waterlogged, brittleness.\" (The J. Paul Getty Trust. ‘Physical Attributes Facet’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264087",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Physical Attributes Facet’. Art & Architecture Thesaurus, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264087.",
      "skos:related": ""
    },
    {
      "Unique identifier": "piecesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "pieces (graffiti)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "piece (graffiti) $$ masterpieces $$ masterpiece",
      "skos:editorialNote @en": "The term \"pieces\" in graffiti is short for \"masterpiece\" and is now more commonly used. A piece is a type of graffiti writing that is more complex and time-consuming than a throw-up. It is a significant work of graffiti, often large and elaborate, that showcases the skill and creativity of the graffitist. Pieces are typically created using multiple colours and may include 3D effects, characters, and other artistic elements.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "Historically, the term \"piece\" emerged from the graffiti movement in the 1970s and 1980s, particularly in New York City. As graffiti evolved from simple tags to more complex works, the term \"piece\" was used to distinguish these larger, more intricate works from simpler tags and throw-ups. Over time, creating a piece has become a way for graffitists to demonstrate their skill and earn respect within the graffiti community.",
      "skos:note @en (getty)": "\"Works of graffiti art that are large, colorful, and stylistically elaborate and that require a greater amount of time and expertise to create.\" (The J. Paul Getty Trust. ‘Pieces (Graffiti Art)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410272",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Pieces (Graffiti Art)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410272.",
      "skos:related": ""
    },
    {
      "Unique identifier": "primingBackground",
      "Type": "concept",
      "skos:prefLabel @en": "priming (technique)",
      "skos:broader": "surfaceCoveringProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart $$ activity",
      "skos:altLabel @en": "backgrounds (priming) $$ background (priming)",
      "skos:editorialNote @en": "\"Priming\" in the context of graffiti refers to the technique of preparing the background surface where a graffito will be created. This involves applying a base layer of paint to create a clean, evenly coloured background. The purpose of priming is to enhance the vibrancy of the colours that will be applied on top and to ensure a smoother application of subsequent layers of paint. It also helps to cover any existing marks or irregularities on the surface, providing a 'blank canvas' for the graffitist. This technique is commonly used in graffiti and is an essential step in the creation of larger works or pieces.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q13217555",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "processesAndTechniquesBySpecificTypeGT",
      "Type": "guide term",
      "skos:prefLabel @en": "processes and techniques by specific type <guide term>",
      "skos:broader": "ProcessesAndTechniquesHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300053003",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "ProcessesAndTechniquesHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Processes and Techniques <hierarchy name>",
      "skos:broader": "ActivitiesF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Processes and Techniques hierarchy contains terms for actions and methods performed physically on or with materials and objects, and for processes occurring in materials and objects. Included are types of process or technique pertaining to the production and handling of objects or images (e.g., \"assembling\") or of substances (e.g., \"mixing\") or relevant to the manipulation and processing of specific materials (e.g., \"soldering\"). Also included are terms for processes that occur in substances or objects, sometimes initiated intentionally and sometimes occurring spontaneously (e.g., \"burning\"). Relation to other hierarchies: Terms for organizational, administrative, or intellectual activities conducted to accomplish specific purposes (e.g., \"analysis\"), including terms relating to the collecting of objects and various other professional activities (e.g., \"collections management\"), are found in the Functions hierarchy. Terms that designate branches of learning (e.g., \"anthropology\") are found in the Disciplines hierarchy, while the processes and techniques associated with these fields are contained here. Terms for physical and mental actions not performed to manipulate materials or fabricate objects (e.g., \"running;\" \"meditation\") are in the Physical and Mental Activities hierarchy. Certain terms that refer to degenerative forces on materials or structures (e.g., \"stress\") are in the Associated Concepts hierarchy. Descriptors for certain effects caused by processes occurring in materials and objects (e.g., \"cracks\") appear in the Conditions and Effects hierarchy.\" (The J. Paul Getty Trust. ‘Processes and Techniques (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300053001",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Processes and Techniques (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300053001.",
      "skos:related": ""
    },
    {
      "Unique identifier": "productionsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "productions (graffiti)",
      "skos:broader": "graffitiConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "conceptIdea",
      "skos:altLabel @en": "production (graffiti)",
      "skos:editorialNote @en": "\"Productions\" in graffiti refers to collaborative works created by two or more graffitists. These collaborations often involve the graffitists working side by side, but not necessarily on the same piece. The unity of the production is often evident through the use of the same background colouring or the use of the same spray can colours. The works may even be somewhat intertwined, creating a cohesive visual experience. Productions are a testament to the collaborative nature of the graffiti community, where graffitists come together to create larger, more complex works. These collaborations can result in a diverse range of styles and techniques being showcased in a single production, reflecting the individual styles of the participating graffitists while also creating a unified whole.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Larger and more involved graffiti art 'pieces' that involve several artists working together. These are achieved legally, where permission has been granted or the work commissioned.\" (The J. Paul Getty Trust. ‘Productions (Graffiti Art)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410281",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Productions (Graffiti Art)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410281.",
      "skos:related": ""
    },
    {
      "Unique identifier": "publicAndInteractiveActivitiesGT",
      "Type": "guide term",
      "skos:prefLabel @en": "public and interactive activities <guide term>",
      "skos:broader": "physicalActivitiesBySpecificContextGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300379951",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "reverseGraffitiTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "reverse graffiti (technique)",
      "skos:broader": "subtractiveProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "clean tagging $$ dust tagging $$ grime writing",
      "skos:editorialNote @en": "\"Reverse graffiti\" is a technique of creating temporary or semi-permanent images on walls or other surfaces by removing dirt. This can be done by simply removing dirt with the fingertip from windows or other dirty surfaces, or on a larger scale using a cloth or a high-power washer. This technique has been used as a form of advertising, although its legality varies depending on the jurisdiction. The technique is also used commercially as a form of out-of-home advertising, known as \"clean advertising\" or \"clean graffiti\". It's worth noting that this technique is also known as \"clean tagging,\" \"dust tagging,\" or \"grime writing\".",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "English artist Paul Curtis (aka Moose) is one of the first street artists to make a piece using the reverse graffiti technique. The first large-scale reverse graffiti piece was made by Alexandre Orion in 2006.",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "reverseGraffitiWriting",
      "Type": "concept",
      "skos:prefLabel @en": "reverse graffiti (writing)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "reverse graffito (writing) $$ graffiti, reverse $$ graffito, reverse $$ clean graffiti $$ clean graffito $$ green graffiti $$ green graffito $$ clean advertising",
      "skos:editorialNote @en": "\"Reverse graffiti (writing)\" refers to a unique form of graffiti that is created by removing dirt or grime from a surface, rather than adding paint or other materials. This technique often involves the use of stencils and cleaning tools, such as power washers, rags, or even toothbrushes. The resulting images or messages are temporary or semi-permanent, depending on the surface and the environmental conditions. This form of graffiti has been used for both artistic expression and advertising, with its legality varying depending on the jurisdiction. It's worth noting that this type is also known as  \"clean graffiti,\" \"green graffiti,\" or \"clean advertising.\"",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "English artist Paul Curtis (aka Moose) is one of the first street artists to make a piece using the reverse graffiti technique. The first large-scale reverse graffiti piece was made by Alexandre Orion in 2006.",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1810315",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "rollingUpTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "rolling up (technique)",
      "skos:broader": "surfaceCoveringProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Rolling up\" in the context of graffiti refers to a technique used to create large-scale works or cover large areas quickly. This technique involves the use of a paint roller, which allows the graffitist to apply paint to a surface in broad strokes. The \"rolling up\" technique is particularly useful for reaching higher places or for creating the background or base layer of a larger work. The resulting graffiti, often referred to as a \"roll up,\" is characterized by its large size and the distinctive texture of the paint application. This technique is often used in combination with other graffiti techniques to create complex and layered works.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Applying ink to a printing plate or block or through a stencil with a roller.\" (The J. Paul Getty Trust. ‘Rolling Up’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300053313",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Rolling Up’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300053313.",
      "skos:related": ""
    },
    {
      "Unique identifier": "rollUpsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "roll ups (graffiti)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "roll up (graffiti)",
      "skos:editorialNote @en": "A \"roll up (graffiti)\" in the context of graffiti refers to a large-scale work created using a paint roller attached to a telescopic rod. This technique allows graffitists to reach higher areas that would otherwise be inaccessible from the ground. The use of a roller enables the application of paint over large areas quickly, making it an efficient method for creating large murals or covering extensive surfaces. The resulting graffiti, known as a \"roll up,\" is often characterized by its large size and the distinctive texture of the paint application. This technique is particularly useful for creating the background or base layer of a larger work.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "scratchingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "scratchings (graffiti)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "scratching (graffiti)",
      "skos:editorialNote @en": "\"Scratchings\" in graffiti refers to a graffito type which was done by a subtractive technique where the graffitist uses a hard tool, such as a knife, a wooden stick, or even fingernails, to etch or scratch a design into a surface. This technique is often used on surfaces with a layer of material that can be removed, such as the bark of a tree or a wall with a layer of paint or plaster. The resulting graffiti, known as \"scratching,\" is characterized by its scratched appearance. This technique allows for a different kind of expression compared to more traditional graffiti techniques that involve the application of paint or other materials.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Refers to art works created by scratching or engraving a design into a board or other surface that has been prepared by covering with ink, so that the color of the board shows through the scratched design. Colored wax or paint may be applied to create a design on any paper board, or the board may be commercially produced \"scratchboard.\" India ink is often used to cover the wax or paint. A stylus or other sharp instrument is generally used to scratch or scrape away the design.\" (The J. Paul Getty Trust. ‘Scratch Art’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264764",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Scratch Art’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264764.",
      "skos:related": ""
    },
    {
      "Unique identifier": "scratchingTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "scratching (technique) ",
      "skos:broader": "subtractiveProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Scratching\" in the context of graffiti refers to a technique where the graffitist uses a hard tool, such as a knife, a wooden stick, or even fingernails, to etch or scratch a design into a surface. This technique is often used on surfaces with a layer of material that can be removed, such as the bark of a tree or a wall with a layer of paint or plaster. The resulting graffiti, known as a \"scratching,\" is characterized by its etched or scratched appearance. This technique allows for a different kind of expression compared to more traditional graffiti techniques that involve the application of paint or other materials.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The action, process, or technique of making slight linear abrasions on a surface of any kind. May refer to damage, or to a technique for creation of art, such as in printmaking.\" (The J. Paul Getty Trust. ‘Scratching (Process)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300379457",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Scratching (Process)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300379457.",
      "skos:related": ""
    },
    {
      "Unique identifier": "scriptAndTypeFormsGT",
      "Type": "guide term",
      "skos:prefLabel @en": "script and type forms <guide term>",
      "skos:broader": "informationFormComponents",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300201263",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘<script and Type Forms>’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300201263.",
      "skos:related": ""
    },
    {
      "Unique identifier": "scriptAndTypeSigns",
      "Type": "concept",
      "skos:prefLabel @en": "script and type signs",
      "skos:broader": "scriptAndTypeFormsGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Script and Type Signs\" is a term used in the Getty Art & Architecture Thesaurus to refer to the specific forms of letters, characters, or symbols used in writing or typography. In the context of graffiti, this could refer to the unique styles of lettering or symbol creation employed by graffitists. These styles can be influenced by various factors, including the graffitist's personal style, the tools used, and the cultural or subcultural context in which the graffiti is created.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300194297",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "sculpturesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "sculptures (graffiti) ",
      "skos:broader": "streetArtGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "sculpture (graffiti)",
      "skos:editorialNote @en": "\"Sculptures (graffiti)\" refers to three-dimensional works created by graffitists. These can be made from a variety of materials, including but not limited to metal, wood, plastic, or found objects. Unlike traditional graffiti, which is typically applied directly onto a surface such as a wall or a train, graffiti sculptures are standalone objects that can be placed in various locations. They represent a physical embodiment of the graffitist's expression, often interacting with their environment in unique ways. As with all forms of graffiti, it is essential to understand these works within their specific cultural and aesthetic context, rather than viewing them through the lens of traditional art paradigms.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Three-dimensional works of art in which images and forms are produced in relief, in intaglio, or in the round. The term refers particularly to art works created by carving or engraving a hard material, by molding or casting a malleable material (which usually then hardens), or by assembling parts to create a three-dimensional object. It is typically used to refer to large or medium-sized objects made of stone, wood, bronze, or another metal. Small objects are typically referred to as \"carvings\" or another appropriate term. \"Sculpture\" refers to works that represent tangible beings, objects, or groups of objects, or are abstract works that have defined edges and boundaries and can be measured. As three-dimensional works become more diffused in space or time, or less tangible, use appropriate specific terms, such as \"mail art\" or \"environmental art.\"\" (The J. Paul Getty Trust. ‘Sculpture (Visual Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300047090",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q860861",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Sculpture (Visual Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300047090.",
      "skos:related": ""
    },
    {
      "Unique identifier": "secondOutlinesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "second outlines (graffiti)",
      "skos:broader": "outlinesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "second outline (graffiti) $$ outlines, second (graffiti) $$ outline, second (graffti)",
      "skos:editorialNote @en": "\"Second outlines (graffiti)\" refers to the final layer of outlining in a graffito. This is often applied after the fill-ins and first outlines have been completed, serving to enhance the visual impact of the graffito. The second outline, also known as the final outline, helps to make the letters 'pop', creating a distinct separation between the letters and the background. It can also serve to hide any imperfections or mistakes in the fill-in stage. This technique is an integral part of the graffito creation process, contributing to the overall aesthetic and readability of the piece. As with all graffiti techniques, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q59507148",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "secondRowsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "second rows (graffiti)",
      "skos:broader": "openSpacesByLocationOrContextGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "rows, second $$ second row $$ row, second",
      "skos:editorialNote @en": "\"Second rows (graffiti)\" refers to graffiti works that are created higher up on a wall or surface, beyond easy reach from the ground. These works are often located on a 'second level', requiring the graffitist to use a ladder or other means to reach the desired height. Due to the increased difficulty and preparation required to create these works, they tend to remain in place for longer periods of time, as they are less likely to be painted over or removed. This concept is a testament to the lengths that graffitists will go to in order to express themselves and leave their mark on the urban landscape.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "semiWildstyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "semi Wildstyle (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "Wildstyle, semi",
      "skos:editorialNote @en": "\"Semi Wildstyle (graffiti)\" refers to a style of graffiti writing that sits between the complexity of Wildstyle and the simplicity of basic lettering. This style features a moderate level of embellishment and stylisation, making the letters slightly harder to read than in simpler styles, but not as intricate or abstract as in Wildstyle. The semi Wildstyle is a testament to the graffitist's skill and creativity, showcasing their ability to balance legibility with artistic expression. As with all graffiti styles, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "shadowsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "shadows (graffiti)",
      "skos:broader": "backgroundsGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "componentPart",
      "skos:altLabel @en": "shadow (graffiti)",
      "skos:editorialNote @en": "\"Shadows (graffiti)\" refers to a technique used in the creation of a graffito to give the impression of depth or three-dimensionality to the letters or elements. This is achieved by adding an area of colour that suggests a shadow cast by the letters, typically in a consistent direction across the graffito. The use of shadows can enhance the visual impact of the graffito, making it appear more dynamic and engaging. As with all techniques used in graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Areas of partial darkness produced by a body intercepting the direct rays of the sun or other luminary, so that radiation is unable to reach the darkened area directly.\" (The J. Paul Getty Trust. ‘Shadows’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300056036 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q160020",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Shadows’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300056036.",
      "skos:related": ""
    },
    {
      "Unique identifier": "signAndElement",
      "Type": "collection",
      "skos:prefLabel @en": "sign and element",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "graffitoComponent",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"sign and element\" collection is a sub-category within the \"graffito components\" collection of the graffiti thesaurus. It focuses on the various signs, symbols, or iconic elements used in a graffito. This collection includes more specific concepts such as \"anarchy symbols\", \"gender signs\", \"hearts\", and \"stars\". The \"sign and element\" collection provides a detailed look at the various symbols and elements that can be used in a graffito, each carrying its own connotations and contributing to the overall message or aesthetic of the piece.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"sign and element\" collection is exemplified by its sub-concepts. \"Anarchy symbols\" are often used in graffiti to convey anti-establishment or rebellious sentiments. \"Gender signs\" can be used to comment on issues of gender identity or politics. \"Hearts\" are a common motif in many forms of art, including graffiti, and can be used to convey a range of emotions or messages. \"Stars\" are another common motif that can be used for decorative purposes or to convey various symbolic meanings. Each of these signs and elements adds a layer of meaning to a graffito, demonstrating the rich symbolic language of graffiti.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "simpleStyleGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "simple style (graffiti)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "style, simple",
      "skos:editorialNote @en": "\"Simple style (graffiti)\" refers to one of the earliest styles of graffiti writing. Characterised by its legibility and simplicity, this style is easy to read for both the observer and the graffitist. The simplicity of this style also makes it quick to execute, which could make it a preferred choice for throw-ups or bombing. Despite its simplicity, it still allows for a wide range of expression and creativity. As with all styles in graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "sketchbooks",
      "Type": "concept",
      "skos:prefLabel @en": "sketchbooks",
      "skos:broader": "documentsByFunctionGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "sketchbook $$ sketch books $$ sketch book $$ sketch-books $$ sketch-pads $$ sketch pads $$ sketchpads",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Books or pads of blank sheets used or intended for sketching, which are informal or rough drawings.\" (The J. Paul Getty Trust. ‘Sketchbooks’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300027354",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Sketchbooks’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300027354.",
      "skos:related": ""
    },
    {
      "Unique identifier": "slogansVerbalGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "slogans (verbal graffiti)",
      "skos:broader": "verbalGraffitiGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "slogan (graffiti)",
      "skos:editorialNote @en": "\"Slogans (verbal graffiti)\" refers to a type of verbal graffiti that often conveys a clear message in the form of words or sentences. Unlike other forms of graffiti that may focus on aesthetics or style, slogans are typically designed to communicate a specific message quickly and directly. The design or style of the graffiti may be less elaborate, as the primary intent is to convey the message rather than to \"beautify\" the urban environment. As with all forms of graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q42470",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "smiliesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "smilies (graffiti)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "signAndElement",
      "skos:altLabel @en": "smiley (graffiti) $$ emojis $$ emoji",
      "skos:editorialNote @en": "\"Smilies (graffiti)\" refers to a motif in graffiti that depicts a simplified, stylised representation of a smiling face. This motif typically consists of two dots representing the eyes and a curved line representing a smiling mouth. It may also be encircled to form a complete face. As a symbol type of graffito, it serves as a schematic visualisation of human emotion, specifically happiness or contentment. Despite its simplicity, it carries a universal meaning that can be easily recognised and understood. As with all motifs in graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Standardized ideogrammatic symbols used to represent concepts, emotional states, or other information wordlessly and succinctly in electronic communications such as text messages, e-mail, and social media. Originally Japanese, from e: “picture, drawing” and moji “letter, character.”\" (The J. Paul Getty Trust. ‘Emoji’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300412189 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "broadMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q11241",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Emoji’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300412189.",
      "skos:related": ""
    },
    {
      "Unique identifier": "socialMedia",
      "Type": "concept",
      "skos:prefLabel @en": "social media",
      "skos:broader": "computerNetworkingConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Refers to tools, usually a combination of software and database accessible through the World Wide Web, which enable persistent computer-mediated relationships that encompass social networking, blogs, wikis, and social or collaborative tagging. For specific activities that use social media, use relevent terms such as \"social networking.\"\" (The J. Paul Getty Trust. ‘Social Media’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300312269",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Social Media’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300312269.",
      "skos:related": ""
    },
    {
      "Unique identifier": "socialMediaHandles",
      "Type": "concept",
      "skos:prefLabel @en": "social media handles",
      "skos:broader": "socialMedia",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "social media handle",
      "skos:editorialNote @en": "\"Social Media Handles\" in the context of graffiti refers to the usernames or identifiers that graffitists use on social media platforms such as Instagram or Twitter. These handles are often incorporated into the graffiti itself, serving as a signature or a way for viewers to find and follow the graffitist's work online. This practice reflects the intersection of traditional graffiti culture and modern digital communication, allowing graffitists to reach a broader audience and engage with their followers in a more interactive way. As with all elements of graffiti, it should be understood within its specific cultural and aesthetic context.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "socialScienceConcepts",
      "Type": "concept",
      "skos:prefLabel @en": "social science concepts",
      "skos:broader": "AssociatedConceptsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Concepts related to the study of institutions and functioning of human society and with the interpersonal relationships of individuals as members of society.\" (The J. Paul Getty Trust. ‘Social Science Concepts’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300239103",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Social Science Concepts’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300239103.",
      "skos:related": ""
    },
    {
      "Unique identifier": "sociologicalConcepts",
      "Type": "concept",
      "skos:prefLabel @en": "sociological concepts",
      "skos:broader": "socialScienceConcepts",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Concepts that deal with the study of human society.\" (The J. Paul Getty Trust. ‘Sociological Concepts’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300065818",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Sociological Concepts’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300065818.",
      "skos:related": ""
    },
    {
      "Unique identifier": "starsMotifs",
      "Type": "concept",
      "skos:prefLabel @en": "stars (motif)",
      "skos:broader": "naturalElementMotifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "signAndElement",
      "skos:altLabel @en": "star (motif)",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "Conventionalized figures derived from astronomical stars, having radiating points of any number.",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300009811 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1191504",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "stencilsStreetArt",
      "Type": "concept",
      "skos:prefLabel @en": "stencils (street art)",
      "skos:broader": "streetArtGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "stencil",
      "skos:editorialNote @en": "\"Stencils\" in the context of street art refer to a specific type of graffito that is created using a pre-made template or stencil. The graffitist applies paint or another medium over the stencil to transfer the design onto a surface, resulting in a graffito. This technique allows for the rapid and repeated application of an image, making it a popular method for creating graffiti, particularly in the realm of street art. The use of stencils in graffiti can be traced back to the origins of the practice, but it gained significant popularity with the rise of street art in the late 20th and early 21st centuries. Stencil graffiti is often associated with political and social commentary, as the technique allows for the quick dissemination of powerful and provocative imagery and messages.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Visual works or designs produced by using tools also called \"stencils,\" which are sheets of celluloid, paper, cardboard, or other material in which desired lettering or designs have been cut out so that ink or paint applied to the sheets will reproduce the cut-out designs on the surface beneath.\" (The J. Paul Getty Trust. ‘Stencils (Visual Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300028878",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q504073",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Stencils (Visual Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300028878.",
      "skos:related": ""
    },
    {
      "Unique identifier": "stickersStreetArt",
      "Type": "concept",
      "skos:prefLabel @en": "stickers (street art)",
      "skos:broader": "streetArtGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "sticker",
      "skos:editorialNote @en": "\"Stickers\" in the context of street art refer to a specific type of graffito that is created using adhesive labels or stickers. The graffitist applies their design onto the sticker, which is then affixed to a surface, resulting in a graffito. This technique allows for the rapid and portable application of an image or message, making it a popular method for creating graffiti, particularly in the realm of street art.\nThe use of stickers in graffiti is a relatively recent development, gaining popularity in the late 20th and early 21st centuries. Sticker graffiti, also known as \"sticker bombing\", \"sticker slapping\", \"sticker tagging\", or \"slap tagging\", is often associated with political and social commentary, as the technique allows for the quick dissemination of powerful and provocative imagery and messages.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Adhesive-backed slips of paper or similar thin material, usually bearing messages or designs.\" (The J. Paul Getty Trust. ‘Stickers’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300207379 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q2872553",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Stickers’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300207379.",
      "skos:related": ""
    },
    {
      "Unique identifier": "streetArtGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "street art (graffiti)",
      "skos:broader": "graffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoClass",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Street art\" is a sub-category of graffiti and represents a class of graffiti that is often more accepted by the general public and authorities compared to other forms of graffiti. While it shares many characteristics with traditional graffiti, such as the use of public spaces as a canvas and the often unauthorised nature of the work, street art tends to be more focused on aesthetics and public engagement.\nStreet art is often characterised by the use of a variety of media and techniques, including but not limited to murals, stencils, stickers, and installations. The works are often larger, more complex, and more time-consuming to create than traditional graffiti. They often feature intricate designs, detailed imagery, and sometimes even interactive elements. The graffitists who create street art often aim to engage with the public, provoke thought, or make a statement. While the act of creating street art can still be seen as rebellious or subversive, the intent is often more focused on the creation of a visually appealing or thought-provoking piece rather than the act of creation itself.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Contemporary outdoor paintings, drawings, or three-dimensional works on walls, sidewalks, or street surfaces in public thoroughfares of urban environments, sometimes intended to draw attention to urban issues.\" (The J. Paul Getty Trust. ‘Street Art’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300056477 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q17516",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Street Art’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300056477.",
      "skos:related": ""
    },
    {
      "Unique identifier": "streetArtistsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "street artists (graffiti)",
      "skos:broader": "graffitists",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoCreator",
      "skos:altLabel @en": "street artist $$ artists, street",
      "skos:editorialNote @en": "\"Street artists\" in the context of graffiti, also known as graffitists, are individuals who utilise public or semi-public spaces as their canvas for artistic expression. These artists employ a variety of techniques and styles, ranging from simple tags to intricate murals, to create works that are often imbued with social, political, or personal significance. ",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q2914170",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "style",
      "Type": "collection",
      "skos:prefLabel @en": "style",
      "skos:broader": "",
      "rdf:type (skos:)": "Collection",
      "skos:member": "graffitoComponent",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "The \"style\" collection is a sub-category within the \"graffito components\" collection of the graffiti thesaurus. It focuses on the distinctive visual characteristics or techniques that define a particular graffito or a graffitist's body of work. This collection includes more specific concepts such as \"anti style\", \"minimalism\", \"photorealistic style\", \"blockbuster style\", \"bubble style\", \"geometric style\", and \"mechanical style\". The \"style\" collection provides a detailed look at the various stylistic approaches that can be used in graffiti, each contributing to the diversity and richness of this art form.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "The \"style\" collection is exemplified by its sub-concepts. \"Anti style\" refers to a deliberate rejection of traditional graffiti aesthetics, often characterised by intentionally crude or messy designs. \"Minimalism\" in graffiti focuses on simplicity and reduction, often using basic shapes and a limited colour palette. \"Photorealistic style\" involves creating graffiti that closely resembles high-resolution photography, requiring a high level of skill and precision. \"Blockbuster style\" is characterised by large, blocky letters, often used to cover a large area quickly. \"Bubble style\" involves creating letters or designs with a rounded, inflated appearance. \"Geometric style\" uses geometric shapes and patterns, often resulting in a more abstract or modernist aesthetic. \"Mechanical style\" involves creating designs that resemble mechanical or industrial elements. Each of these styles represents a unique approach to creating graffiti, demonstrating the wide range of visual expressions possible within this art form.",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "StylesAndPeriodsF",
      "Type": "facet",
      "skos:prefLabel @en": "Styles and Periods <facet>",
      "skos:broader": "",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Includes the names of art and architecture styles, historical periods, art movements, cultures, and ethnicities. Names of people and sites are included if they designate distinct styles or periods. Examples: Yoruba, Louis XIV, Aztec, German, Neolithic.\" (The J. Paul Getty Trust. ‘Styles and Periods Facet’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264088",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Styles and Periods Facet’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264088.",
      "skos:related": ""
    },
    {
      "Unique identifier": "StylesAndPeriodsHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Styles and Periods <hierarchy name>",
      "skos:broader": "StylesAndPeriodsF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Styles and Periods hierarchy contains the names of art and architecture styles, historical periods, art movements, nationalities, ethnicities, and cultures (e.g., \"Renaissance,\" \"Ming,\" \"Yoruba,\" \"Celtic,\" \"Louis XIV,\" \"Italian,\" \"Paleolithic\"). Relation to other hierarchies: Terms for religions, which may be considered to describe culture, are found in Associated Concepts. Terms for genres of art, including all the arts not specific to a given people or period (e.g., \"amateur art,\" \"pattern poetry\") are found in the Associated Concepts hierarchy; also here are terms for general approaches to art (e.g., \"realism\") while specific movements named after such approaches are found here (e.g., \"Realist\").\" (The J. Paul Getty Trust. ‘Styles and Periods (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300015646 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Styles and Periods (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300015646.",
      "skos:related": ""
    },
    {
      "Unique identifier": "stylesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "styles (graffiti)",
      "skos:broader": "stylesPeriodsAndCulturesByGeneralEraGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "graffiti style $$ style (graffiti)",
      "skos:editorialNote @en": "\"Styles\" in graffiti pertain to the distinct visual techniques and aesthetic approaches that differentiate the work of one graffitist from another's. These styles are particularly manifest in the manner in which words and letters are fashioned, with variations in form, hue, dimension, and ornamentation. There exist styles that are unique to graffiti, such as wildstyle, bubble letters, and 3D effects, each possessing its own set of conventions and aesthetics. These styles are not static; they undergo evolution over time, influenced by factors such as technological advancements, cultural trends, and the graffitist's personal development. ",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "stylesPeriodsAndCulturesByGeneralEraGT",
      "Type": "guide term",
      "skos:prefLabel @en": "styles, periods, and cultures by general era <guide term>",
      "skos:broader": "StylesAndPeriodsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300111078",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "stylesSticker",
      "Type": "concept",
      "skos:prefLabel @en": "styles (sticker)",
      "skos:broader": "stylesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "sticker style",
      "skos:editorialNote @en": "\"Styles\" in the context of sticker graffiti refer to the unique visual and thematic characteristics that differentiate one type of sticker from another. A prominent example is the \"Hello My Name Is\" sticker style, which provides a blank space for graffitists to add their tag or personal design. These stickers, originally designed for introductions at events, have been co-opted by street artists as a medium for self-expression and identity proclamation. The style of a sticker, whether it's a pre-printed design or a hand-drawn creation, serves as a reflection of a graffitist's personal aesthetic, their commentary on societal norms, or their desire to leave a mark within the urban landscape.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "stylesStreetArt",
      "Type": "concept",
      "skos:prefLabel @en": "styles (street art)",
      "skos:broader": "stylesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "street art style",
      "skos:editorialNote @en": "\"Styles\" in street art, particularly in relation to graffiti, refer to the distinct visual techniques and aesthetic approaches that differentiate one graffitis's work from another's. These styles can range from abstract, where graffitists use shapes, colours, and forms to create non-representational works, to photorealistic, where graffitists meticulously render their subjects to closely resemble real-life imagery. Importantly, these styles often focus on visual elements and do not necessarily include text or lettering. The choice of style is a reflection of a graffitist's personal expression, their commentary on societal issues, or their interaction with the urban environment, making each piece a unique contribution to the urban visual landscape.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "stylesWriting",
      "Type": "concept",
      "skos:prefLabel @en": "styles (writing)",
      "skos:broader": "stylesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "writing style",
      "skos:editorialNote @en": "\"Styles\" in graffiti writing refer to the unique visual characteristics and techniques that distinguish one graffitist's work from another's. This can include elements like letter structure, colour usage, 3D effects, and embellishments. Styles can also reflect broader trends within the graffiti community, such as the shift from simple tags to more complex pieces. Ultimately, a graffitist's style is their visual signature, a way of expressing their individuality within the shared language of graffiti.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "subtractiveProcessesAndTechniquesGT",
      "Type": "guide term",
      "skos:prefLabel @en": "subtractive processes and techniques <guide term> ",
      "skos:broader": "processesAndTechniquesBySpecificTypeGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300229471",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "surfaceCoveringProcessesAndTechniquesGT",
      "Type": "guide term",
      "skos:prefLabel @en": "surface covering processes and techniques <guide term>",
      "skos:broader": "additiveAndJoiningProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300229469",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "swirlsMotifs",
      "Type": "concept",
      "skos:prefLabel @en": "swirls (motify)",
      "skos:broader": "motifs",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "swirl (motif) $$ swirls $$ swirl",
      "skos:editorialNote @en": "Swirls, as motifs in graffiti or any other form of visual art, are decorative elements that feature a twisted or spiral pattern. They are often used to add a sense of movement, energy, and dynamism to a design. Swirls can be simple, with a single line spiralling around a central point, or complex, with multiple intertwined spirals creating intricate patterns.\nIn graffiti, swirls can be used in a variety of ways. They can serve as a background or filler, adding depth and complexity to a piece. They can also be used to outline or highlight other elements of the design, or they can stand alone as a focal point. Swirls can be rendered in a variety of styles, from smooth and flowing to jagged and angular, depending on the artist's intent and the overall aesthetic of the piece.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "symbolsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "graffiti symbol",
      "skos:broader": "graffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoClass",
      "skos:altLabel @en": "symbols (graffiti) $$ symbol (graffiti) $$ graffiti symbols",
      "skos:editorialNote @en": "\"Graffiti symbols\" is a class of graffiti that encompasses a wide range of symbols, signs, or motifs. These elements can stand alone or be incorporated into larger works, and they often convey universally recognised messages or ideas. Examples of graffiti symbols include the anarchy sign, smiley faces, stars, hearts, and even controversial symbols like the swastika.\nThe use of symbols in graffiti serves various purposes. For some graffitists, these symbols are a form of visual shorthand, allowing them to quickly and efficiently communicate specific ideas or sentiments. For others, the use of universally recognised symbols can be a way to engage a broader audience, as these symbols can be understood by individuals who may not be familiar with the more nuanced aspects of graffiti culture.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Visible signs (which can include figures, such as personifications, or objects) that stand for something else, often something abstract or invisible.\" (The J. Paul Getty Trust. ‘Symbols’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300055878 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q3695082",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Symbols’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300055878.",
      "skos:related": ""
    },
    {
      "Unique identifier": "taggingTechnique",
      "Type": "concept",
      "skos:prefLabel @en": "tagging (technique)",
      "skos:broader": "surfaceCoveringProcessesAndTechniquesGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "activity",
      "skos:altLabel @en": "tagging $$ tagging (activity)",
      "skos:editorialNote @en": "\"Tagging\" is a technique employed by graffitists to create a specific type of graffiti known as a \"tag\". This technique involves the use of a quick, stylised script or signature, often created with a marker or spray paint. The tag serves as a pseudonymous signature or logo for the graffitist, allowing them to mark their presence in a particular location without revealing their true identity. The act of tagging is often seen as one of the most basic forms of graffiti, both in terms of the skill level required and the simplicity of the resulting mark. However, within the graffiti community, the style and uniqueness of a tag can be a source of respect and recognition. A well-executed tag can demonstrate a graffitist's skill, creativity, and individuality.\nTagging is often associated with the act of \"bombing\", where a graffitist aims to create as many tags as possible in a single outing, covering a large area or highly visible locations. This can be seen as a form of territorial marking or a way for the graffitist to gain recognition and \"get up\" in the graffiti community.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "tagsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "tags (graffiti)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "tag (graffiti) $$ tag $$ tags",
      "skos:editorialNote @en": "\"Tags (graffiti)\" refers to a specific type of graffiti writing. A tag is essentially the signature or moniker of a graffitist, often stylised in a unique and distinctive way. It is the simplest and most fundamental form of graffiti, and it is typically the first type of graffiti that a graffitist learns to create. Tags are usually created quickly and can be found in a variety of locations throughout urban environments. They are often used by graffitists to mark territory, gain recognition, or participate in the broader graffiti community. While tags may appear simple or even crude to the untrained eye, they can be rich in meaning and style. The design of a tag can convey a great deal of information about the graffitist, including their skill level, their influences, and their place within the graffiti community.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Stylized forms of graffiti using names or initials as markers. These are considered the most basic form of graffiti art.\" (The J. Paul Getty Trust. ‘Tags (Documents)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410284 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q17514",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "relatedMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Tags (Documents)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410284.",
      "skos:related": ""
    },
    {
      "Unique identifier": "technologyAndRelatedConceptsGT",
      "Type": "guide term",
      "skos:prefLabel @en": "technology and related concepts <guide term>",
      "skos:broader": "AssociatedConceptsHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300056068",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
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      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "technologyGeneralAssociatedConcept",
      "Type": "concept",
      "skos:prefLabel @en": "technology (general associated concept)",
      "skos:broader": "technologyAndRelatedConceptsGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The general application of science and related disciplines, typically to commercial or industrial objectives, often with the implication of mechanical, electronic, or computerized components.\" (The J. Paul Getty Trust. ‘Technology (General Associated Concept)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300056069",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Technology (General Associated Concept)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300056069.",
      "skos:related": ""
    },
    {
      "Unique identifier": "threeDimensional",
      "Type": "concept",
      "skos:prefLabel @en": "three-dimensional",
      "skos:broader": "formAttributes",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Three-dimensional\" is a term used to describe something that has depth in addition to height and width. In the context of graffiti, it does not refer to the creation of a sense of depth or three-dimensionality within a two-dimensional graffito, such as through the use of perspective or shading. Instead, it refers to a physical object or structure that exists in three dimensions. For example, a sculpture or installation created by a graffitist would be considered three-dimensional, as it occupies space in three dimensions. Similarly, a graffito that is carved or etched into a surface, such as through the technique of scratching, could also be considered three-dimensional, as it has a physical depth in addition to its height and width.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Having, or appearing to have, the three dimensions of length, width, and height.\" (The J. Paul Getty Trust. ‘Three-Dimensional’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300010331",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Three-Dimensional’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300010331.",
      "skos:related": ""
    },
    {
      "Unique identifier": "throwUpsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "throw ups (graffiti)",
      "skos:broader": "writingGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "throw up (graffiti) $$ throwie $$ throw-ups $$ throw-up",
      "skos:editorialNote @en": "\"Throw ups\" is a term used in the graffiti community to describe a specific type of graffiti writing. Characterised by their speed of execution and simplicity, throw ups are typically composed of two or three colours and involve a simple outline filled in with a single colour. The letters in a throw up are often rounded and bubbly, which allows for faster creation compared to more complex styles.\nThe primary purpose of a throw up is not to demonstrate artistic skill or to create a visually complex piece, but rather to quickly mark a large area with the graffitist's handstyle or moniker. As such, throw ups are often associated with quantity over quality, with graffitists aiming to create multiple throw ups in close proximity to each other in order to maximise their visibility and presence in a particular area.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Graffiti art works produced with spray paint, that spell out the artist's name in rounded letters. Usually these are rendered in two colors, one for the body and another for a contrasting outline. These are intended to cover as much surface area as possible in the shortest amount of time without regard to style or technical proficiency.\" (The J. Paul Getty Trust. ‘Throw-Ups (Graffiti Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410271 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Throw-Ups (Graffiti Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410271.",
      "skos:related": ""
    },
    {
      "Unique identifier": "toysGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "toys (graffiti)",
      "skos:broader": "peopleByStateOrConditionGT",
      "rdf:type (skos:)": "Concept",
      "skos:member": "communityTerm",
      "skos:altLabel @en": "toy (graffiti) $$ toy $$ toys $$  beginner $$ graffiti novice",
      "skos:editorialNote @en": "\"Toys\" is a term used within the graffiti community to refer to beginners or novices in the creation of graffiti. The term is often used in a derogatory manner, indicating a lack of skill, originality, or respect for the established norms and codes of the graffiti community. A graffitist labelled as a \"toy\" is typically seen as lacking the technical ability to execute a well-crafted graffito, or as failing to understand and adhere to the unwritten rules and etiquette of the graffiti world. This might include, for example, tagging over another graffitist's work without permission, or attempting to create complex pieces before mastering the basics of graffiti writing.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "underlinesGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "underlines (graffiti)",
      "skos:broader": "outlinesGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "design",
      "skos:altLabel @en": "underline (graffiti)",
      "skos:editorialNote @en": "\"Underlines\" in the context of graffiti refers to a line or lines that are added beneath a piece, tag, or throw-up. This element can serve various purposes, such as emphasising the graffiti writing, adding an additional layer of style, or creating a sense of grounding or stability for the piece. While underlines can be seen as a component of the overall outline of a graffito, they are distinct in their placement and function. An underline typically extends horizontally beneath the entire piece, tag, or throw-up, and may be straight, wavy, or take on other forms. It can be created in the same colour as the outline or in a contrasting colour to add visual interest.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1187096",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "closeMatch",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "urbanKnittingsGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "urban knittings (graffiti)",
      "skos:broader": "streetArtGraffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoType",
      "skos:altLabel @en": "urban knitting (graffiti) $$ urban knittings $$ urban knitting $$ yarn bomb $$ yarn bombing $$ kniffiti",
      "skos:editorialNote @en": "\"Urban knittings\", also known as \"yarn bombing\", represent a unique form of graffiti where yarn is used to cover and decorate objects in urban spaces. Unlike traditional graffiti that primarily utilises walls as a canvas, urban knittings are typically found on three-dimensional objects such as trees, lamp posts, benches, and statues.\nThe process involves creating knitted or crocheted pieces that are then attached to the chosen object, effectively 'dressing' it in yarn. The result is a colourful and tactile form of graffiti that adds a sense of warmth and whimsy to the urban environment. \"Urban knittings\" challenge traditional notions of graffiti, demonstrating the potential for diverse materials and techniques within this form of expression. They highlight the capacity of graffiti to transform and humanise public spaces, and to engage with the community in unexpected and delightful ways.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Works in public space comprising knitted or crocheted adornments, usually installed without institutional oversight.\" (The J. Paul Getty Trust. ‘Yarn Bombing (Graffiti Art)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410377 ",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q579816",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Yarn Bombing (Graffiti Art)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. https://www.getty.edu/vow/AATFullDisplay?find=&logic=AND&note=&subjectid=300410377.",
      "skos:related": ""
    },
    {
      "Unique identifier": "verbalGraffitiGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "verbal graffiti",
      "skos:broader": "graffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoClass",
      "skos:altLabel @en": "verbal graffito ",
      "skos:editorialNote @en": "Verbal graffiti refers to a class of graffiti that primarily focuses on text-based scribbles, which are not stylised. Unlike other forms of graffiti that may incorporate elaborate designs or stylised lettering, verbal graffiti is characterised by its straightforward, text-centric approach. The content of verbal graffiti can vary widely, from personal signatures to messages, statements, or even poetry. Despite its simplicity, verbal graffiti plays a significant role within the graffiti-scape, serving as a direct and accessible means for individuals to express their thoughts, communicate with others, and leave their mark on the public space.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "VisualAndVerbalCommunicationHN",
      "Type": "hierarchy name",
      "skos:prefLabel @en": "Visual and Verbal Communication <hierarchy name> ",
      "skos:broader": "ObjectsF",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"The Visual and Verbal Communication hierarchy contains terms for works, including images and written documents, having the primary and original function to communicate ideas, concepts, or aesthetic experience through visual, verbal, or performance-based media (e.g., \"books;\" \"diptychs;\" \"symphonies (musical works)\"). Although almost any artifact can be considered to communicate visually something about its maker, its origin, or its use, this section concerns those items originally produced with the purpose of transmitting an informational, symbolic, or aesthetic message.\" (The J. Paul Getty Trust.  ‘Visual and Verbal Communication (Hierarchy Name)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300264552",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Visual and Verbal Communication (Hierarchy Name)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300264552.",
      "skos:related": ""
    },
    {
      "Unique identifier": "visualWorksByFunctionGT",
      "Type": "guide term",
      "skos:prefLabel @en": "visual works by function <guide term>",
      "skos:broader": "visualWorksWorks",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300191089",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
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      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "visualWorksByLocationOrContextGT",
      "Type": "guide term",
      "skos:prefLabel @en": "visual works by location or context <guide term>",
      "skos:broader": "visualWorksWorks",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300191090",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": ""
    },
    {
      "Unique identifier": "visualWorksWorks",
      "Type": "concept",
      "skos:prefLabel @en": "visual works (works) ",
      "skos:broader": "VisualAndVerbalCommunicationHN",
      "rdf:type (skos:)": "Concept",
      "skos:member": "",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "Contains information from the J. Paul Getty Trust, Getty Research Institute, the Art & Architecture Thesaurus, which is made available under the ODC Attribution License.",
      "dc:creator": "Jona Schlegel",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"Works of art, architecture, and any objects that occupy space, are perceived by the sense of sight, and are created or arranged, rather than naturally occurring. Of special interest are those objects conveying a symbolic or expressive meaning or an aesthetic experience, although visual works are not limited only to such works. Visual works generally exclude the intangible, however, designs for works never constructed may be included. Visual works include pictorial and sculptural works, as well as time-based works such as performance art. They also include utilitarian or ceremonial objects of the type collected or valued by museums, cultures, or individuals. Visual works do not include the performing arts.\" (The J. Paul Getty Trust. ‘Visual Works (Works)’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300191086",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "The J. Paul Getty Trust. ‘Visual Works (Works)’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. https://www.getty.edu/vow/AATFullDisplay?find=&logic=AND&note=&subjectid=300191086.",
      "skos:related": ""
    },
    {
      "Unique identifier": "WildstyleWriting",
      "Type": "concept",
      "skos:prefLabel @en": "Wildstyle (writing)",
      "skos:broader": "stylesWriting",
      "rdf:type (skos:)": "Concept",
      "skos:member": "style",
      "skos:altLabel @en": "",
      "skos:editorialNote @en": "\"Wildstyle\", within the context of graffiti writing, refers to a complex and intricate style of graffiti. Characterised by interlocking letters, a multitude of layers, and often 3D elements, Wildstyle is considered one of the most advanced forms of graffiti writing. It showcases the writer's skill and creativity, often resulting in works that are as visually captivating as they are challenging to decipher. This style is a testament to the depth and complexity of the graffiti writing movement.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "\"A genre of graffiti art with interlocking, highly stylized and often cryptic lettering.\" (The J. Paul Getty Trust. ‘Wildstyle’)",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "http://vocab.getty.edu/aat/300410277",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "external concept (wikidata)": "https://www.wikidata.org/wiki/Q1810081",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "exactMatch",
      "dct:source": "The J. Paul Getty Trust. ‘Wildstyle’, Art & Architecture Thesaurus Full Record Display (Getty Research), 25 January 2021. [Date of Access, 1 Aug. 2023].. http://vocab.getty.edu/aat/300410277.",
      "skos:related": ""
    },
    {
      "Unique identifier": "writersGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "writers (graffiti)",
      "skos:broader": "graffitists",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoCreator",
      "skos:altLabel @en": "writer (graffiti) $$ graffiti writer $$ graffiti writers",
      "skos:editorialNote @en": "A \"writer\" in the context of graffiti refers to an individual who creates graffiti writings, including tags, pieces, and throw ups. This term is specific to the graffiti writing movement and is used to denote those who participate in this particular form of graffiti expression. Writers are characterised by their focus on text-based graffiti, often involving the use of stylised lettering and signatures, or 'tags'. They may also create larger and more complex works known as 'pieces', or quicker, less detailed works known as 'throw ups'.\nThe role of a writer extends beyond the physical act of creating graffiti. Writers are also participants in the graffiti culture, using their work to communicate with their peers, mark territory, and express their individuality. They contribute to the richness and diversity of the graffiti-scape, each bringing their unique style and perspective to the medium.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": "writersGraffiti"
    },
    {
      "Unique identifier": "writingGraffiti",
      "Type": "concept",
      "skos:prefLabel @en": "writing (graffiti)",
      "skos:broader": "graffiti",
      "rdf:type (skos:)": "Concept",
      "skos:member": "graffitoClass",
      "skos:altLabel @en": "writings (graffiti)",
      "skos:editorialNote @en": "\"Writing\", within the context of graffiti, refers to a movement that originated in the 1960s on the East Coast of the United States. This movement is characterised by its focus on text-based graffiti, often involving the use of stylised lettering and tags. The writing movement is more than just a type of graffito; it represents a cultural phenomenon that has had a significant impact on the evolution of the graffiti-scape. It incorporates not only the physical act of creating text-based graffiti but also the intangible aspects such as the culture, ethos, and community that surround this practice.\nKey elements of the writing movement include styles, pieces, and tags. Styles refer to the unique lettering designs used by graffitists, pieces are larger and more complex works often involving multiple colours and intricate designs, and tags are the simplest form of graffiti, usually consisting of the graffitist's chosen name or signature.\nWhile the writing movement has its roots in the US, it has since spread globally, influencing graffiti practices and cultures around the world. It underscores the power of graffiti as a form of communication and expression, and its capacity to transcend geographical and cultural boundaries.",
      "dc:creator": "Jona Schlegel $$ Stefan Worgin",
      "dc:contributor": "",
      "skos:historyNote @en": "",
      "skos:note @en (getty)": "",
      "skos:definition @en": "",
      "skos:example @en": "",
      "external concept (getty)": "",
      "type of match (getty) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "external concept (wikidata)": "",
      "type of match (wikidata) (exactMatch, closeMatch, broadMatch, narrowMatch, relatedMatch)": "",
      "dct:source": "",
      "skos:related": "writingGraffiti"
    }
  ]