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Preface
Playlist
In-house Redit
Take Me Home
RP can also be downloaded as a cross-platform desktop application at GitHub Releases
I first encountered William Butler Yeatsâ introduction to Gitanjali when I was in eighth grade. I clearly remember, it was a rainy day, and I waded through waterlogged streets of quintessential North Calcutta to borrow a copy of Tagore's Gitanjali from my local library. In Yeatsâ words:
I have carried the manuscript of these translations about with me for days, reading it in railway trains, or on the tops of omnibuses and in restaurants, and I have often had to close it lest some stranger would see how much it moved me. These lyricsâwhich are in the original, my Indians tell me, full of subtlety of rhythm, of untranslatable delicacies of colour, of metrical inventionâdisplay in their thought a world I have dreamed of all my life long. ~ William Butler Yeats, Introduction to Gitanjali
His reflection on the untranslatable emotions in the poems mirrored my own feelings, a world I had dreamed of for years.
RP was born out of a moment of personal reflection to wish a birthday to someone very close to my heart, sparked on April Foolâs Day of 2024, when I was bedridden with fever. That same day, an unexpected on-campus offer arrived, marking a pivotal moment in my life. What started in that fevered haze has since developed across various placesâthe local trains of Eastern Railways, the quiet expanses of Jadavpur University and the Open Air Theatre, the river banks of Ganga and Padma, and the trials of the old silk route. Each location has left its mark as I developed newer ideas and added more features to this project, much like my own journey through love, wait, hope, despair, anger, and apathy.
This repository is more than just code; it is a memoir of emotions and experiences, etched in the places I have been and the ones I hope to visit. With â¤ī¸ for love, I document this journey.
ā¤¤āĨ ā¤Ŧā¤žā¤¤ ā¤ā¤°āĨ ā¤¯ā¤ž ā¤¨ā¤ž ā¤ŽāĨā¤ā¤¸āĨ
ā¤ā¤žā¤šāĨ ā¤ā¤ā¤āĨā¤ ā¤ā¤ž ā¤ĒāĨāĨā¤žā¤Ž ā¤¨ā¤ž ā¤˛āĨ
ā¤Ēā¤° ā¤¯āĨ ā¤Žā¤¤ ā¤ā¤šā¤¨ā¤ž, ā¤ ā¤°āĨ ā¤ ā¤Ēā¤ā¤˛āĨ
ā¤ŽāĨā¤āĨ ā¤ĻāĨā¤ ā¤¨ā¤ž ā¤¤āĨ, ā¤ŽāĨā¤°ā¤ž ā¤¨ā¤žā¤Ž ā¤¨ā¤ž ā¤˛āĨ
The algorithm used for the simulation of mold behavior is inspired by the research paper titled "Characteristics of Pattern Formation and Evolution in Approximations of Physarum Transport Networks", which explores the pattern formation and evolution in Physarum transport networks.
The Word Cloud used as a backdrop is born out of the chat between me and my beloved from a smaller prototype project called chatinfo, where I scripted a WhatsApp static textual analyzer in Python.
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- Lyrics: Orchon Bhattacharya
- Composition: Wolfgang Amadeus Mozart (Symphony No. 25 in G minor)
- Vocals: Sudhaborshy Chakraborty and Chandosika
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- Lyrics & Composition: Nilanjan Ghoshal
- Vocals & Guitar: Sudhaborshy Chakraborty
3. āĻā§āĻ¤āĻā§āĻŦāĻŋāĻ¨ā§āĻĻ
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- Lyrics: Chandril Bhattacharya
- Composition: Chandrabindoo (Juju)
4. āĻ§āĻžāĻāĻ§āĻžāĻ° āĻĨā§āĻā§āĻ āĻāĻāĻŋāĻ˛ āĻ¤ā§āĻŽāĻŋ
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āĻāĻ āĻāĻžāĻ˛āĻžāĻ āĻāĻŽāĻŋ āĻāĻžāĻ˛ āĻŦā§āĻāĻž
āĻŽāĻšā§ āĻĒā§āĻ°ā§āĻŽāĻŋāĻ āĻ¨ā§āĻ¯āĻžāĻāĻž āĻ¨ā§āĻ¯āĻžāĻāĻž
āĻāĻŽāĻžāĻ° āĻāĻ¸āĻ˛ āĻā§āĻšāĻžāĻ°āĻž āĻāĻŋ āĻāĻŋāĻ¨āĻ¤ā§ āĻ¤ā§āĻŽāĻŋ āĻĒāĻžāĻ°ā§?
āĻāĻŋāĻ¨āĻ¤ā§ āĻ¯āĻĻāĻŋ āĻĒā§āĻ°ā§āĻ āĻĨāĻžāĻā§
āĻā§āĻ¨ā§āĻ¨āĻž āĻāĻ° āĻā§āĻ¨ā§āĻ¨āĻž āĻāĻ°āĨ¤
āĻ§āĻžāĻāĻ§āĻžāĻ° āĻĨā§āĻā§āĻ āĻāĻāĻŋāĻ˛ āĻ¤ā§āĻŽāĻŋ
āĻāĻŋāĻĻā§āĻ° āĻĨā§āĻā§āĻ āĻ¸ā§āĻĒāĻˇā§āĻāĨ¤
āĻāĻžāĻā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻ
āĻāĻžāĻ āĻāĻžāĻ˛āĻŋ
āĻŽāĻ¨ā§āĻ° āĻŽāĻ§ā§āĻ¯ā§ āĻāĻˇā§āĻāĨ¤
āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻšāĻ¯āĻŧā§ āĻ¯āĻāĻ¨ āĻ¤āĻāĻ¨ āĻāĻāĻāĻĄāĻŧā§ āĻāĻŽāĻžāĻ¯āĻŧ āĻ§āĻ°
āĻ¤āĻžāĻāĻ¤ā§ āĻŦāĻ˛āĻŋ āĻāĻŽāĻžāĻ¯āĻŧ āĻŦāĻ°āĻ
āĻā§āĻ¨ā§āĻ¨āĻž āĻāĻ° āĻā§āĻ¨ā§āĻ¨āĻž āĻāĻ°āĨ¤
-
Lyrics: Joyjit Lahiri
-
Composition: Subrata Ghosh
-
Band: Gorer Math
-
First released as part of Mohiner Ghoraguli Sompadito (Compilation) Albums
-
Rendition:
- Dotara - Shayan Sinha
- Vocals & Ukulele - Sayatya
-
NOTE that this is not a song by Mohiner Ghoraguli but released as part of Mohiner Ghoraguli Sompadito Albums
5. āĻĒā§āĻ°āĻ¸ā§āĻ¤āĻžāĻŦ
āĻā§āĻ¨ā§ āĻā§āĻ¨ā§ āĻĻā§āĻāĻŋ āĻ
āĻŦā§āĻ˛āĻžāĻ° āĻ¸ā§āĻŦāĻĒā§āĻ¨āĻāĻžā§
āĻāĻāĻāĻž āĻāĻŋāĻ˛ā§ āĻāĻ¤ āĻļāĻ¤ āĻāĻŦāĻŋāĻ¤āĻžā§,
āĻ¸ā§āĻŦāĻĒā§āĻ¨ā§āĻ° āĻ¸ā§āĻ āĻāĻŦāĻŋāĻ¤āĻžāĻ° āĻāĻ¨ā§āĻĻāĻ¤ā§
āĻŽāĻŋāĻļā§ āĻāĻŋāĻ˛ā§ āĻ¤āĻžāĻ° āĻšāĻžāĻ¸āĻŋāĻŽāĻžāĻāĻž āĻāĻŦāĻŋāĻāĻž
āĻ¯āĻž āĻāĻāĻāĻž āĻāĻŋāĻ˛ā§ āĻ
āĻĻā§āĻā§āĻ¤ āĻ°āĻ āĻ¤ā§āĻ˛āĻŋ
āĻ¯āĻž āĻāĻŽāĻž āĻĨāĻžāĻā§ āĻāĻŽāĻžāĻ° āĻŽāĻ¨ā§ āĻŽāĻžāĻā§āĨ¤
āĻŦāĻ° āĻšā§ā§ āĻāĻŽāĻŋ āĻā§āĻāĻŋ āĻā§ā§āĻžā§,
āĻā§āĻžāĻ˛ā§ āĻ¤ā§āĻŽāĻŋ āĻ˛ā§āĻāĻŋā§ā§ āĻāĻā§ āĻŦā§ āĻ¸āĻžāĻā§āĨ¤
āĻāĻŽāĻžāĻ° āĻāĻ āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻāĻŋ āĻļā§āĻ§ā§,
āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻšā§ā§ āĻšāĻžāĻ¸āĻžāĻŦā§ āĻāĻŽāĻžā§,
āĻ¤ā§āĻŽāĻ¨ āĻ¸āĻžāĻšāĻ¸ āĻ¨ā§āĻ āĻāĻŽāĻžāĻ°
āĻ¤ā§āĻŽāĻžāĻā§ āĻāĻŋāĻāĻžāĻŦā§ āĻĒā§āĻ°āĻ¸ā§āĻ¤āĻžāĻŦ āĻāĻžāĻ¨āĻžāĻ?
āĻ¸ā§āĻ āĻāĻ˛ā§āĻĒāĻ¨āĻžā§ āĻāĻāĻāĻž āĻāĻ˛ā§āĻĒāĻ¨āĻžā§
āĻ¤ā§āĻŽāĻžā§ āĻ¨āĻŋā§ā§ āĻāĻžāĻŦāĻž āĻļāĻ¤ āĻāĻ˛ā§āĻĒāĻ¨āĻžā§āĨ¤
āĻ¤ā§āĻŽāĻŋ āĻāĻā§ āĻŦāĻ˛ā§ āĻŦā§āĻāĻā§ āĻāĻā§ āĻ¸ā§āĻŦāĻĒā§āĻ¨āĻāĻž,
āĻ¤ā§āĻŽāĻžā§ āĻ¨āĻŋā§ā§ āĻ˛ā§āĻāĻž āĻāĻ āĻāĻŦāĻŋāĻ¤āĻžāĨ¤
āĻ¸ā§āĻ āĻāĻŦāĻŋāĻ¤āĻžāĻ° āĻāĻ¨ā§āĻĻāĻāĻž āĻ¤ā§āĻŽāĻŋ,
āĻŽāĻŋāĻļā§ āĻĨāĻžāĻāĻž āĻĒā§āĻ°āĻ¤āĻŋ āĻ
āĻā§āĻˇāĻ°ā§ āĻāĻŽāĻŋāĨ¤
āĻāĻžāĻ¨āĻž āĻ¨ā§āĻ āĻāĻŋ āĻšāĻ¤ā§ āĻĒāĻžāĻ°ā§ āĻļā§āĻˇāĻāĻž,
āĻ¨āĻŋāĻļā§āĻā§āĻĒ āĻāĻŦāĻŋ āĻŦāĻ¸ā§ āĻ˛āĻŋāĻāĻā§ āĻāĻŦāĻŋāĻ¤āĻžā§āĨ¤
āĻāĻŽāĻžāĻ° āĻāĻ āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻāĻŋ āĻļā§āĻ§ā§,
āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻšā§ā§ āĻšāĻžāĻ¸āĻžāĻŦā§ āĻāĻŽāĻžā§,
āĻ¤ā§āĻŽāĻ¨ āĻ¸āĻžāĻšāĻ¸ āĻ¨ā§āĻ āĻāĻŽāĻžāĻ°
āĻ¤ā§āĻŽāĻžāĻā§ āĻāĻŋāĻāĻžāĻŦā§ āĻĒā§āĻ°āĻ¸ā§āĻ¤āĻžāĻŦ āĻāĻžāĻ¨āĻžāĻ?
- Lyrics: Moontasir Rakib
- Composition: Odd Signature
6. āĻ¸ā§ āĻ¯ā§ āĻŦāĻ¸ā§ āĻāĻā§ āĻāĻāĻž āĻāĻāĻž
āĻ¸ā§ āĻ¯ā§ āĻŦāĻ¸ā§ āĻāĻā§ āĻāĻāĻž āĻāĻāĻž
āĻ°āĻāĻŋāĻ¨ āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻ¤āĻžāĻ° āĻŦā§āĻ¨āĻ¤ā§,
āĻ¸ā§ āĻ¯ā§ āĻā§āĻ¯āĻŧā§ āĻāĻā§ āĻāĻ°āĻž āĻā§āĻā§
āĻāĻžāĻ¨āĻžāĻ˛āĻžāĻ° āĻĢāĻžāĻāĻā§ āĻŽā§āĻ āĻ§āĻ°āĻ¤ā§āĨ¤
āĻ¸ā§ āĻ¯ā§ āĻŦāĻ¸ā§ āĻāĻā§ āĻāĻāĻž āĻāĻāĻž
āĻ°āĻāĻŋāĻ¨ āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻ¤āĻžāĻ° āĻŦā§āĻ¨āĻ¤ā§,
āĻ¸ā§ āĻ¯ā§ āĻā§āĻ¯āĻŧā§ āĻāĻā§ āĻāĻ°āĻž āĻā§āĻā§
āĻāĻžāĻ¨āĻžāĻ˛āĻžāĻ° āĻĢāĻžāĻāĻā§ āĻŽā§āĻ āĻ§āĻ°āĻ¤ā§āĨ¤
āĻ¤āĻžāĻ° āĻā§āĻ¨āĻā§āĻ¨ āĻŽāĻ¨ā§āĻ° āĻāĻžāĻ¨ āĻŦāĻžāĻ¤āĻžāĻ¸ā§ āĻāĻĄāĻŧā§
āĻāĻžāĻ¨ āĻĒāĻžāĻ¤ā§ āĻŽāĻ¨ā§ āĻĒāĻžāĻŦā§ āĻļā§āĻ¨āĻ¤ā§,
āĻ¤āĻžāĻ° āĻ°āĻā§āĻ° āĻ¤ā§āĻ˛āĻŋāĻ° āĻ¨āĻžāĻā§ āĻŽā§āĻā§āĻ°āĻž āĻā§āĻā§
āĻā§āĻ āĻŽā§āĻ˛ āĻ¯āĻĻāĻŋ āĻĒāĻžāĻ°ā§ āĻŦā§āĻāĻ¤ā§āĨ¤
āĻ¤āĻžāĻ° āĻā§āĻ¨āĻā§āĻ¨ āĻŽāĻ¨ā§āĻ° āĻāĻžāĻ¨ āĻŦāĻžāĻ¤āĻžāĻ¸ā§ āĻāĻĄāĻŧā§
āĻāĻžāĻ¨ āĻĒāĻžāĻ¤ā§ āĻŽāĻ¨ā§ āĻĒāĻžāĻŦā§ āĻļā§āĻ¨āĻ¤ā§,
āĻ¤āĻžāĻ° āĻ°āĻā§āĻ° āĻ¤ā§āĻ˛āĻŋāĻ° āĻ¨āĻžāĻā§ āĻŽā§āĻā§āĻ°āĻž āĻā§āĻā§
āĻā§āĻ āĻŽā§āĻ˛ āĻ¯āĻĻāĻŋ āĻĒāĻžāĻ°ā§ āĻŦā§āĻāĻ¤ā§āĨ¤āĨ¤
āĻ¸ā§ āĻ¯ā§ āĻŦāĻ¸ā§ āĻāĻā§ āĻāĻāĻž āĻāĻāĻž
āĻ¤āĻžāĻ° āĻ¸ā§āĻŦāĻĒā§āĻ¨ā§āĻ° āĻāĻžāĻ°āĻāĻžāĻ¨āĻž āĻāĻ˛āĻā§,
āĻāĻ° āĻŦā§āĻĄāĻŧā§ āĻŦā§āĻĄāĻŧā§ āĻŽā§āĻā§āĻĻā§āĻ° āĻĻāĻ˛
āĻŦā§āĻˇā§āĻāĻŋ āĻ¨āĻžāĻŽāĻžāĻ° āĻ¤āĻžāĻ˛ āĻā§āĻ¨āĻā§āĨ¤
āĻ¸ā§ āĻ¯ā§ āĻŦāĻ¸ā§ āĻāĻā§ āĻāĻāĻž āĻāĻāĻž
āĻ¤āĻžāĻ° āĻ¸ā§āĻŦāĻĒā§āĻ¨ā§āĻ° āĻāĻžāĻ°āĻāĻžāĻ¨āĻž āĻāĻ˛āĻā§,
āĻāĻ° āĻŦā§āĻĄāĻŧā§ āĻŦā§āĻĄāĻŧā§ āĻŽā§āĻā§āĻĻā§āĻ° āĻĻāĻ˛
āĻŦā§āĻˇā§āĻāĻŋ āĻ¨āĻžāĻŽāĻžāĻ° āĻ¤āĻžāĻ˛ āĻā§āĻ¨āĻā§āĨ¤
āĻ¸ā§āĻ āĻā§āĻ¨ āĻā§āĻ¨ āĻŽāĻ¨ā§āĻ° āĻāĻžāĻ¨ āĻŦā§āĻˇā§āĻāĻŋ āĻ¨āĻžāĻŽāĻžāĻ¯āĻŧ
āĻāĻĒāĻāĻĒ āĻĢā§āĻāĻž āĻĒāĻĄāĻŧā§ āĻ
āĻ¨ā§āĻāĻā§āĻˇāĻŖ,
āĻ¸ā§āĻ āĻŦā§āĻˇā§āĻāĻŋ āĻā§āĻāĻž āĻŽāĻ¨ā§ āĻĄāĻžāĻ āĻĻāĻŋāĻ¯āĻŧā§āĻā§
āĻā§āĻāĻž āĻāĻžāĻ āĻšāĻ¯āĻŧā§ āĻĨāĻžāĻ āĻāĻŽāĻžāĻ° āĻŽāĻ¨āĨ¤
āĻ¸ā§āĻ āĻā§āĻ¨ āĻā§āĻ¨ āĻŽāĻ¨ā§āĻ° āĻāĻžāĻ¨ āĻŦā§āĻˇā§āĻāĻŋ āĻ¨āĻžāĻŽāĻžāĻ¯āĻŧ
āĻāĻĒāĻāĻĒ āĻĢā§āĻāĻž āĻĒāĻĄāĻŧā§ āĻ
āĻ¨ā§āĻāĻā§āĻˇāĻŖ,
āĻ¸ā§āĻ āĻŦā§āĻˇā§āĻāĻŋ āĻā§āĻāĻž āĻŽāĻ¨ā§ āĻĄāĻžāĻ āĻĻāĻŋāĻ¯āĻŧā§āĻā§
āĻā§āĻāĻž āĻāĻžāĻ āĻšāĻ¯āĻŧā§ āĻĨāĻžāĻ āĻāĻŽāĻžāĻ° āĻŽāĻ¨āĨ¤
āĻ¸ā§ āĻ¯ā§ āĻŦāĻ¸ā§ āĻāĻā§, āĻ¸ā§ āĻ¯ā§ āĻŦāĻ¸ā§ āĻāĻā§...
- Lyrics: Shayan Chowdhury Arnob
- Composition: Shayan Chowdhury Arnob (Chaina Bhabish)
- Rendition: Arijit Singh
7. ā¤ ā¤¸ā¤¨ā¤Ž
ā¤ļā¤žā¤Ž-ā¤¸ā¤ĩāĨā¤°āĨ ā¤¤āĨā¤°āĨ ā¤¯ā¤žā¤ĻāĨā¤ ā¤ā¤¤āĨ ā¤šāĨā¤
ā¤ ā¤āĨ ā¤Ļā¤ŋā¤˛ ā¤āĨ ā¤ŽāĨā¤°āĨ ā¤¯āĨā¤ ā¤¤ā¤Ąā¤ŧā¤Ēā¤žā¤¤āĨ ā¤šāĨā¤
ā¤ ā¤¸ā¤¨ā¤Ž, ā¤ŽāĨā¤šā¤ŦāĨā¤Ŧā¤¤ ā¤āĨ āĨā¤¸ā¤Ž
ā¤Žā¤ŋā¤˛ ā¤āĨ ā¤Ŧā¤ŋā¤ā¤Ąā¤ŧā¤¨ā¤ž ā¤¤āĨ ā¤Ļā¤¸āĨā¤¤āĨā¤° ā¤šāĨ ā¤ā¤¯ā¤ž
ā¤¯ā¤žā¤ĻāĨā¤ ā¤ŽāĨā¤ ā¤¤āĨā¤°āĨ ā¤Žā¤ā¤ŦāĨā¤° ā¤šāĨ ā¤ā¤¯ā¤ž
ā¤ ā¤¸ā¤¨ā¤Ž, ā¤ā¤¨ ā¤¯ā¤žā¤ĻāĨā¤ ā¤āĨ ā¤ā¤¸ā¤Ž
ā¤¸ā¤Žā¤āĨ āĨā¤Žā¤žā¤¨ā¤ž ā¤āĨ ā¤Ļā¤ŋā¤˛ ā¤šāĨ ā¤ā¤ŋā¤˛āĨā¤¨ā¤ž
ā¤ā¤žā¤¨ā¤ž ā¤šāĨ ā¤
ā¤Ŧ "ā¤āĨā¤¯ā¤ž ā¤šāĨ ā¤Ļā¤ŋā¤˛ ā¤ā¤ž ā¤˛ā¤ā¤žā¤¨ā¤ž"
ā¤¨āĨā¤°āĨā¤ ā¤¸āĨ ā¤
ā¤Ŧ ā¤¨ā¤ž ā¤šā¤Ž ā¤āĨ ā¤ā¤ŋā¤°ā¤žā¤¨ā¤ž
ā¤Žā¤° ā¤āĨ ā¤ā¤ ā¤¤āĨ ā¤āĨā¤˛ ā¤¨ā¤ž ā¤ā¤žā¤¨ā¤ž
ā¤ā¤ā¤āĨā¤ ā¤ŽāĨā¤ ā¤Ŧā¤¸āĨ ā¤šāĨ ā¤Ēā¤° ā¤ĻāĨā¤° ā¤šāĨ ā¤ā¤šāĨā¤
ā¤Ļā¤ŋā¤˛ ā¤āĨ ā¤ā¤°āĨā¤Ŧ ā¤šāĨ, ā¤¯āĨ ā¤ŽāĨā¤ ā¤āĨ ā¤šāĨ ā¤¯ā¤āĨā¤
ā¤ ā¤¸ā¤¨ā¤Ž, ā¤¤āĨā¤°āĨ ā¤ĒāĨā¤¯ā¤žā¤° ā¤āĨ ā¤ā¤¸ā¤Ž
- Lyrics: Syed Aslam Noor
- Composition & Vocals: Lucky Ali (Sunoh)
- Writing & Recitation : Manas
8. āĻ¯āĻžāĻ°āĻž āĻāĻžāĻĢā§āĻ¤ā§ āĻŽā§ā§ā§āĻ¤ā§ āĻŦāĻ¸ā§ āĻāĻā§
āĻ¯āĻžāĻ°āĻž āĻāĻžāĻĢā§āĻ¤ā§ āĻŽā§ā§ā§āĻ¤ā§ āĻŦāĻ¸ā§ āĻāĻā§
āĻāĻŽāĻŋ āĻ¤ā§āĻŽāĻžāĻĻā§āĻ° āĻā§ā§ā§ āĻāĻ˛āĻ˛āĻžāĻŽ
āĻ¤ā§āĻŽāĻ°āĻž āĻšāĻ¤āĻžāĻļ-āĻĒā§ā§āĻžāĻ˛āĻž āĻāĻ°ā§ āĻ¨āĻŋāĻ˛ā§
āĻāĻŽāĻŋ āĻ°āĻā§āĻ¤ āĻāĻ°āĻŋā§ā§ āĻāĻžāĻāĻĻāĻ˛āĻžāĻŽ āĨ¤
āĻāĻžāĻ°āĻŽāĻŋāĻ¨āĻžāĻ°ā§āĻ° āĻ§ā§āĻā§āĻžāĻ¤ā§
āĻā§āĻŦāĻ¨-āĻĒā§ā§āĻžāĻ˛āĻž āĻāĻŽāĻžāĻ āĻā§ā§āĻžāĻļāĻž
āĻĢā§āĻ˛ā§āĻ°ā§āĻ¸ā§āĻ¨ā§āĻ āĻāĻ˛ā§āĻ° āĻŽā§ā§ā§ āĻŽā§ā§ā§ āĻā§āĻ°ā§
āĻ¤ā§āĻˇāĻŋāĻ¤ āĻŽā§āĻā§āĻ¤āĻŋāĻĒāĻŋāĻĒāĻžāĻ¸āĻž āĨ¤
āĻāĻ āĻā§āĻā§āĻā§ āĻ¯āĻžāĻŦ, āĻāĻžāĻ˛ āĻā§ā§ā§ āĻ¯āĻžāĻŦ
āĻ¤āĻŦā§ āĻāĻžāĻā§āĻāĻ¤ā§ āĻā§ā§āĻ¤ā§ āĻāĻ˛ā§āĻāĻŋ
āĻāĻžāĻ˛āĻŦā§āĻļā§āĻāĻŋāĻāĻž āĻ¤ā§āĻŽāĻžāĻĻā§āĻ° āĻĻā§āĻŦ
āĻā§āĻāĻā§ āĻāĻ¨āĻ¤ā§āĻ āĻāĻ˛ā§āĻāĻŋāĨ¤
āĻāĻā§ āĻšāĻ¤āĻžāĻļ āĻ¤ā§āĻŽāĻ°āĻž āĻā§āĻāĻĻā§ āĻ¨āĻž
āĻā§āĻ¨ā§ āĻ¸āĻžāĻ¨ā§āĻ¤ā§āĻŦāĻ¨āĻž āĻāĻŽāĻŋ āĻĻā§āĻŦ āĻ¨āĻž
āĻ¸ā§āĻ°ā§āĻ¯ āĻĄā§āĻŦāĻžāĻ° āĻ¸āĻāĻā§āĻ¤ā§ āĻĻā§āĻ
āĻŽā§āĻā§āĻ¤āĻŋāĻ°āĻā§āĻā§āĻ° āĻ¨āĻŋāĻļāĻžāĻ¨āĻž āĨ¤
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āĻ¤āĻŦā§ āĻāĻžāĻā§āĻāĻ¤ā§ āĻā§ā§āĻ¤ā§ āĻāĻ˛ā§āĻāĻŋ
āĻŦāĻŋāĻĻā§āĻ°ā§āĻšā§ āĻāĻŽāĻŋ āĻŦāĻŋāĻĒā§āĻ˛āĻŦā§ āĻĄāĻžāĻ
āĻ¤ā§āĻŽāĻžāĻĻā§āĻ° āĻĻāĻŋāĻ¤ā§ āĻāĻ¸ā§āĻāĻŋ āĨ¤
- Lyrics & Composition: Samaresh Bandyopadhyay & Snigdha Bandyopadhyay (Calcutta People's Choir & Ganabishan)
- Vocals: Shuvro Deb
9. āĻĒā§āĻ°āĻĨāĻŽ āĻ¸āĻŦāĻāĻŋāĻā§
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āĻĢā§āĻāĻŦāĻ˛
āĻŽāĻžāĻ¨ā§āĻ¨āĻž,â
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āĻāĻžāĻāĻĒāĻ¤āĻžāĻ˛
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āĻāĻŋāĻāĻžāĻ° āĻ¨āĻŋāĻ¯āĻŧā§ āĻāĻžāĻ¨ āĻ§āĻ°ā§āĻā§ āĻāĻŽāĻžāĻ° āĻāĻžāĻ˛ā§āĻŦāĻžāĻ¸āĻž
āĻ˛āĻā§āĻāĻž āĻā§āĻŖāĻž āĻ°āĻžāĻā§āĻ° āĻĒāĻ°ā§ āĻāĻāĻžāĻ āĻŦā§āĻāĻŋ āĻĨāĻžāĻā§
āĻāĻāĻžāĻ āĻĻāĻŋāĻŦā§ āĻ¤ā§āĻŽāĻžāĻ¯āĻŧ āĻāĻ° āĻāĻ āĻļāĻšāĻ°āĻāĻžāĻā§
- Lyrics: Kabir Suman
- Composition & Vocals: Kabir Suman (Gaanola)
10. āĻŽā§āĻš
āĻ¤ā§āĻŽāĻŋ āĻā§āĻ°ā§āĻ§ā§āĻ° āĻāĻā§āĻ¨ā§ āĻāĻŽā§ āĻĨāĻžāĻāĻž āĻŦā§āĻ¯āĻžāĻĨāĻž
āĻāĻŽāĻžāĻ° āĻļā§āĻˇ āĻŦāĻŋāĻā§āĻ˛ā§āĻ° āĻ§ā§āĻāĻāĻž
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āĻ°ā§āĻĨāĻšā§āĻ¨ āĻā§āĻāĻāĻž
āĻāĻŽāĻŋ āĻāĻāĻāĻŋāĻ¨āĻŋ āĻ¤ā§āĻŽāĻžāĻ° āĻāĻŦāĻŋ
āĻĻā§āĻāĻŋāĻ¨āĻŋ āĻ¸ā§āĻ°ā§āĻ¤ā§āĻ° āĻ¨āĻĻā§
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āĻ āĻĒāĻĨā§āĻ° āĻļā§āĻˇ āĻā§āĻĨāĻž?
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āĻ¸āĻā§āĻā§ āĻŽā§āĻ° āĻ¨āĻŋāĻāĻ¸āĻā§āĻāĻ¤āĻž
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āĻāĻ˛ā§āĻ° āĻŽāĻļāĻžāĻ˛ āĻā§āĻŦāĻžāĻ˛āĻŋ āĻ¨ā§āĻ°āĻŦā§
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āĻā§āĻ¨āĻŦā§ āĻ¤āĻžāĻ°āĻž āĻāĻŽāĻžāĻ° āĻ¸āĻžāĻĨā§
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āĻāĻžāĻāĻŦā§ āĻ¤ā§āĻŽāĻŋ āĻŦā§āĻˇā§āĻāĻŋāĻ° āĻ¸ā§āĻ°ā§
āĻāĻŽāĻŋ āĻāĻāĻāĻŋāĻ¨āĻŋ āĻ¤ā§āĻŽāĻžāĻ° āĻāĻŦāĻŋ
āĻĻā§āĻāĻŋāĻ¨āĻŋ āĻ¸ā§āĻ°ā§āĻ¤ā§āĻ° āĻ¨āĻĻā§
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āĻļāĻŋāĻļāĻŋāĻ° āĻŽāĻžāĻāĻžāĻ¨ā§ āĻ§ā§āĻāĻ¯āĻŧāĻž
āĻāĻŽāĻŋ āĻāĻāĻāĻŋāĻ¨āĻŋ āĻ¤ā§āĻŽāĻžāĻ° āĻāĻŦāĻŋ
āĻĻā§āĻāĻŋāĻ¨āĻŋ āĻ¸ā§āĻ°ā§āĻ¤ā§āĻ° āĻ¨āĻĻā§
āĻāĻāĻžāĻļ āĻāĻ°āĻž āĻ¤āĻžāĻ°āĻž
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āĻāĻā§ āĻ¤ā§āĻŽāĻŋ āĻŽā§āĻ¯āĻŧā§
āĻ āĻĒāĻĨā§āĻ° āĻļā§āĻˇ āĻā§āĻĨāĻž?
- Composition: Aftermath
- Band: Aftermath
11. Jutti Meri
Jutti meri jaandi hai pahadiye de naal
(Neither my shoe will go with the mountain boy)
Te paula mere jaanda e uss dogre de naal
(Nor my sandal will go with the dogra)
Pehli pehli vaar mennu saura lene aa gaya
(First came my father-in-law to take me home)
Saura lein aagaya te vanga pawa gaya
(My father-in-law came with bangles to woo me)
Wanga te paanian hatthe de naal
Te paula mara jaanda uss dogre de naal
(I will wear the bangles in my hand
but my sandle is not going anywhere with the dogra)
Dooji dooji var menu 'Der' lene aagya
(The second time around, my brother-in-law came to take me home)
'Der' lene aagya teh legenga pawa gaya
(My brother-in-law came to take me home, and to woo me he got a beautiful lehenga)
Lehenga te paanian lakke de naal
Te paula mere jaanda uss dogre de naal
(I will wear the lehenga on my waist
but my sandle is not going anywhere with the dogra)
Teeji teeji vaar menu aap lene aa gaya,
(The third time, my husband came to take me home)
Aap lene aagaya do galla sunagaya
(Finally, he came and scolded me for being too stubborn)
Thumak thumak jaandi ae a maiye de naal
(Dancing and swaying I go along with my husband)
Thumak thumak jaandi ae a maiye de naal
(Dancing and swaying I go along with my husband)
Sona mera maahi tur jaana ode naal
(I happily go with my handsome husband)
Sona mera maahi tur jaana ode naal
(I happily go with my handsome husband)
Thumak thumak jaandi ae a maiye de naal
(Dancing and swaying I go along with my husband)
Thumak thumak jaandi ae a maiye de naal
(Dancing and swaying I go along with my husband)
Jutti Meri is a fun Punjabi/Dogra folk song, depicting the feelings of a new bride who is being playful about not going back to her husband's house.
- Lyrics: Panjabi/Dogra Folklore
- Composition: Sameer Uddin (Folk Tales)
- Lead Vocalist: Neha Bhasin
- Backing Vocals: Ananya Purkayastha & Rashi Bagai
- Guitar: Sanjoy Das / Sameer Uddin
- Bouzouki: Prasant Singh
- Percussion: Abhishek Arora
- Piano: Natasha Pinto
- Turborepo for building the monorepo
- Tauri for building the cross-platform desktop apps
- Next.js for the web app
- pnpm for managing dependencies
- TailwindCSS for styling
- Three.js for the 3D model of the GitHub Globe
- GSAP for the animations
- Howler for the audios
- P5js for the canvas
- Swiper for the slider Instagram carousel
- MUI, Shadcn for the UI components
- Phosphor Icons and MUI Icons for the icons
- Tiptap for the customised text editor
- XTerm and WebSockets for the web terminal UI
- Express and Nodepty for the terminal emulator
- GitHub Actions for CI/CD
- Clone the rp repository
git clone git@github.com:sanam2405/rp.git
cd rp
- Install the dependencies
pnpm install
- Build the web project
pnpm build
- Build the desktop app and create a release for macOS, Windows and Linux
cd apps/desktop
pnpm tauri build
- Start the project
pnpm start
- For local development, start a turbopack webdevelopment server
pnpm dev
- For local desktop development, start a tauri development server
cd apps/desktop
pnpm tauri dev
- Running with Docker
docker compose up
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Life kept on going and lulled me with its motions, I kept rocking back and forth, as it threw me left and threw me right, and before I knew it; nobody buys yesterdayâs lottery ticket. I came to Tequip, the day you made the first big breakthrough of your career. There you were, anxiously waiting for the selection list and I maintained distance, lest I bring some bad luck to you. After a long wait, the list came. You were selected. You hugged all of your friends in room 208 of Tequip and eventually turned back and smiled at me. I wanted to come up to you and tell you all this in person, but I just watched you smile. You looked beautiful. You are young, you can dream, and for sometime you let me into your dreams. And I want to thank you for that.
I had loved you against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be.
I hope you like your choices. I like mine.
With affection and love,
Manas
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